Jan
26
2012
1

Gale Force #fieldrecording

Sorry for the lack of posts, but this is very likely my modus operandi for the first 8 months of 2012…. Two very good, very creatively demanding films back-to-back equates to not a lot of free time to indulge too many of my other projects… And prioritizing means the films take first priority ALWAYS, HISSandaROAR gets first dibs on ‘free’ time (Tortured Cymbal Library release next week, hopefully!) while one of my 2012 new year resolutions is to release a DUB45 every month (first one for 2012 is very near ready for mastering) and that takes second priority… Then its a dead heat for about a dozen projects for third place, so this post is one of them: some recordings I made last week when the gale force northerly winds that we love & loathe here in Wellington visited for about 16 hours!

Maybe its because I grew up on a farm, but I always check the weather forecast, every morning. I have a distinct childhood memory of my Dad tapping the barometer in the hall (the rhythm of the taps, the reverb, the light in the hall..) so he could know what to plan for work tomorrow when his barometer predictions came true… I autotap a tab in my browser & get similar results, so I knew this Northerly was due & would be literally Gale Force, but I didn’t really plan to record it…. until I heard the roof blow off the warehouse next door….

 

 

Of course I’m being overly dramatic – the entire roof didn’t blow off the warehouse. I was working away in my studio & could hear the wind howling outside, but slowly became aware of a synchronous beating every time there was a big gust. And some of these gusts were over 130kmph = white knuckles if, god/jah/buddha forbid you happen to be in a plane landing at the time… The beating kept getting louder until I had to go investigate & in the big warehouse next door used by FUSE CIRCUS it soon became apparent that three sheets of clear corruguated roofing had broken loose & sooner or later were going to break completely free… Back to the studio, grab my brand new pair of MKH8040 mics and my trusty pair of MKH70s, cable them to my 744 & hit record…. These are the first sounds I recorded with the 8040s – what a way to christen them!!!

 

 

I love recording multiple perspectives – nothing beats standing listening to some action and acoustically jumping backwards & forwards by 20 metres, at the flick of a monitoring switch! Despite all the soothsaying about the MKH80X0 mics having sub frequency overload issues this was a great test, as the pressure vectors of the huge wind gusts hitting the building & broken roof were a good test. Similarly taking the 8040s in their new tiny Rycotes outdoors later that night proved how amazingly stable they actually are, when tucked amongst the shelter of bushes & shrubs that are taking a beating from these winds…

But before you listen, imagine an alternate reality: look at the waveform of this first phrase & instead of 130kmph northerly gusts, imagine the source of these sounds are a large group of taiko drummers standing on the roof next door, quietly waiting for their cue…

 

 

Gale Force Wind INT Warehouse 01 by timprebble

 

Gale Force Wind INT Warehouse 02 by timprebble

 

And yes, the best parts of the 2+ hours I recorded in quad will be going into a HISSandaROAR library at some stage, along with some wicked wind in wires I recorded late that night, and ungodly shrieks I recorded even later in a deserted boatyard…. The energy involved in creating these sounds is unimaginable in human scale and people joke about the wind in Wellington but if you live here its a bit like a monster occasionally visits… a monster capable of pulling the roof off!

And its not every day you get to record sounds such as these, but despite them being inanimate objects I figure my new mics just knew they had found their new home, when this was the first sounds they got to listen to…

UPDATE: Apparently winds in the Wairarapa (over the hill from Wellington) hit 159kmh last night!!

Written by in: SOUND DESIGN: |
Jan
21
2012
0

Detritus 154


More info on the Wind Speaker here

 

> A magazine with a soundtrack? check out Underscore

 

> Musical pitch and emotion

 

YEARS from Bartholomäus Traubeck on Vimeo.

 

> Listen to the deep

 

> A taxonomy of ideas

 

Minus 60° – Surround Sound Installation With Synchronized Fluorescent Tubes from Karl Kliem on Vimeo.

 

> 10 Questions to ask yourself when recording a sound

 

 

Written by in: SOUND DESIGN: |
Jan
18
2012
3

Hello

Written by in: SOUND DESIGN: |
Jan
16
2012
6

The Wrong Speed

One of the many advantages of vinyl over digital formats is the instant ability to play tunes at the wrong speed. I’ll give you a personal example of this in a moment, because this erroneous piece of music was formative for me…. but I’m sure that ‘feature’ has been the undoing of many a drunken DJ…

You know when you hear an exceptionally mind & mood altering piece of music & think to yourself I wish I had written & produced that – well with this one particular tune I did, and I have thought it for many years… And just recently (as in a week or so ago) I heard a copy from a CD and realised that all this time the tune I loved I had been playing at 33rpm, when it was intended to be heard at 45rpm!?! So here it is, Tortoises Find The One remixed by Bundy K. Brown at the wrong speed:

Tortoise – Bundy Brown mix

I simply do not want to hear it at the ‘right’ speed, it just has none of the glacial pace & resonance…. so you’ll have to go find the Tortoise Remixed CD to hear the other version…..

But what tunes have you loved, at the wrong speed?

Written by in: SOUND DESIGN: |
Jan
13
2012
0

Detritus 153


Reminds me of the motorway rumble strips in Japan that make music

 

> Year of the glitch has some great degraded images eg “A white vertical line on a black background scans across the screen from left to right and back again. The resulting video is exported and re-compressed 102 times.”

 


> I love playing melodica, it is such a great instrument to jam with… but if I don’t have mine with me this free Kontakt library is the next best thing

 

> DIY: Make a tuning fork?

 

 

> While I’d love to hear the Isono 3D sound system, the chances of it being installed in a local theatre are fairly slim – some of them can’t even get 5.1 right – so the Auro-3D system seems like a better fit with their scaleable 9.1, 11.1 and 13.1 adding height speakers & offering backwards compatability…. This PDF is worth a read…

 

Can’t wait to see this!

 

Written by in: SOUND DESIGN: |
Page 1 of 29912345...102030...Last »