nuzic 113

 

 


Jan Boerman – Komposite (1972)

 

 


Forest Drive West – Parallel Space (Conforce Remix) [ECHOCORD084]

 

 

 

 


Music: Igorrr | Video: MeatDept.

 

 

 

 

scale

 

 

 

Canon 1V #SLR + EF100L macro lens + Kodak #TriX 400

 

 

 

Detritus 510

 

 


▶ wow! or more correctly “woooooooooooooooooooooooooow!”

 

 


▶ Youtube: Wolf Conservation Center
thanks Francesco!

 

 

▶ interesting article re music streaming: “I wanted people to see the difference between all of the services,” Keating said. “Down at the lower levels, no one knows what everyone else makes and no one knows what services pay. How can you make decisions if you don’t know what the numbers are?”

Bizzare isn’t it, that tech renders almost all profit for itself, before it drops a few crumbs to the artists…

Keating: “One alternative is a user-centric system, which means that if one user pays $US9.99 a month for Spotify Premium but only listens to independent cellist Zoë Keating, that user’s $US9.99 would be paid exclusively to Keating.”

 

 

▶ The alarming homogeneity of instagram travel photos: Hyperallergenic talk to InstaRepeat

 

 

▶ Applying digital effects to physical objects by Masashi Murakami

 

 


▶ Crunch Island = totally plausible module

 

 

▶ K-MIC is “a microphone and speaker system that you can put entirely in your mouth, that connects to a Bluetooth device such as a mobile phone or a recorder” – strange but fascinating to see what is available… ditto for the WAND-II, a through-the-wall listening device!

 

 

▶ “Aspect ratios have fluctuated throughout film history. Silents were generally shown at 1.33:1. But the addition of a soundtrack on the film strip cut into the available image area…. ” – wow I never realised the advent of sound also changed aspect ratio (for the better IMHO 4×3 feels like CRT TV to me)
That quote is from a film review of The Lighthouse (shot on Kodak 5222 Double X – hopefully will get to experience it in a cinema at NZIFF 2020

 

 

 

 

 

Carbon muncher

 

 

 

Contax T2 + Kodak #TriX 400

 

 

 

Lichen

 

 

 

Canon 1V #SLR + EF100L macro lens + Kodak #TriX 400

 

 

 

Detritus 509

 

 

 

 

▶ as mentioned in vid above: Ondomo

 

 

▶ fascinating guide to using Reverse Image Search for investigations

 

 

“It’s like touching history”

 

 

“They don’t have the ability to win, but they have the ability to cause so much pain”

 

 

▶ It’s got a great beat, and you can file a lawsuit to it

 

 

▶ How the very first programmable drum machine changed the sound of reggae music – “The Eko ComputerRhythm had a 6 row push-button matrix that allowed users to enter a pattern manually, or to push punch cards with pre-programmed rhythms through a reader slot on the unit.”

 

 

▶ EKO ComputeRhythm demo at Synthtopia

 

 

 

 

 

 

Monochrome beach

 

 

 

Canon 1V #SLR + Kodak #TriX 400

 

 

 

P30

 

 

 

Ferrania have started selling their first proper run of P30, but only to the USA and Canada (& max ten rolls per order) so this film had a brief holiday on its way here… More info & order here

 

In Homer Simpson voice: “mmmmmm silver content….”

 

 

 

 

Island

 

 

 

Fujifilm TX2/XPAN2 with Kodak Tmax100

 

 

 

nuzic 112

 

 


Moses Boyd – Stranger Than Fiction

 

 


love the plate verb + dadamachine setup later in the vid…

 

 


Tōru Takemitsu: And then I knew t’was wind (1992)

 

 


FKA twigs – Mirrored Heart

 

 


Mariachi Mexteca feat. Hugh Cornwell – Golden Brown

 

 


Amiina – Tvistur (Live at Sydney Festival, 2013)
(I caught Amiina live in Auckland, before and with Sigur Ros, in 2006 – so good!)