I remember when I was in secondary school starting a diving class & quitting during the first session because I simply couldnt manually balance the pressure in my ears via my Eustachian Tubes… But quitting didnt bother me at all because I was totally distracted by some other people also using the diving pool for underwater audio experiments. I can still vividly remember how the sound (they were playing music) was omnipresent once you put your head underwater!
Funnily enough I know a few people who work with sound for a living who also cant balance the pressure in their ears, so I decided to consider a blessing… Heres some more info on the process ie ‘prevention of middle ear barotrauma’ – damn! I wish I knew that phrase back then; I can’t go diving cos I’d get barotrauma!
Anyway it doesnt stop me from enjoying sounds underwater. And some of the most beautiful to my ears are Weddell seals, who apparently have 34 different calls & can be heard more than 15 miles! They also happen to sound like analogue synths! check these examples (from here):
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There is some great info about underwater sound here with a ‘focus on musical applications and computer synthesis’ – but of course! And listening to these sounds makes me want to see this Werner Herzog documentary ENCOUNTERS AT THE END OF THE WORLD & sure enough, what I previously would have thought was an analogue synth sound is, I am pretty sure a Wedell Seal; have a listen @ 1.40 in the trailer:
I just know there are some people reading this with far more experience than i with modular synths, so a question to you: how would you put together a Wedell Seal patch?















