Mar
31
2011
0

Detritus 86

 

A tree, its shadow…. and the sonic equivalent

 

tree AND shadow

 

 

> I am more busy than I can even pretend to explain – this week has been the most creatively challenging/deeply satisfying week of my career thus far. It’s Thursday night and I am resonating in a warm glow that is far, far beyond my own aspirations of self-determination…. Next week I rejoin the other (3D) project, which is many, many cuts later in my absence, so my free time may well/likely continue to be scarce – 3 weeks ’til predubs etc…

 

Until normal transmission resumes I strongly suggest you spend some time at this site, but don’t go there expecting instant gratification; the immediate posts will consume hours, and the subject will require days and days of your time, pursuing essential parts of history that are far more important than this weeks blockbuster…. So only pursue it if you are actually able and willing….. you can lead a horse to water, just as you can lead a “sound designer” to art, but….

 

 

> and heres another random photo from the archives, can you hear it?

 

 

lake AND stone

 

 

> that is all….

 

 

Written by in: SOUND DESIGN: |
Mar
27
2011
4

Field Recording: Piha & Muriwai

It rained & drizzled & rained all Saturday, so much so that Pihas Lion Rock occasionally disappeared

Piha

 

Frustrated at not being able to record the sounds I was here for, I reverted to shooting photos… but in the back of my mind I was thinking what if tomorrow is the same!?!

Piha

 

Piha

 

Piha

 

Piha

 

Thankfully woke up early Sunday morning & although the sky was still grey at least it wasn’t raining. Went for a dawn walk & shot this waveform/reflection:

Piha

 

Did a bit of recording round the rocks but nothing too startling, so then packed up & headed to Muriwai & wow!!!

 

Muriwai

 

Once the tide was coming in that sign was an understatement!

 

Muriwai

 

The sound of the ocean is very interesting when it is constricted – all that energy & force has to go somewhere, and in this rocky inlet known as The Gap I recorded a lot of big powerful wave crashes, with that lovely delay as the spray splashed on to the rocks in front of me.

Muriwai Waves by timprebble

But the most unusual sound I recorded at this location I found when I put my mic down into a crack in the rocks – it almost sounded like it was underwater, but when a wave smacked into the base of the rocks this is what I heard (although you really need to hear the 192kHz recording on decent speakers with a subwoofer!)

Muriwai

Muriwai waves through crack in rock by timprebble

 

I’m going to borrow a quote from a great interview with Richard Beggs because it sure applied to finding this sound: “A location reveals itself in unexpected ways” – amen, brother!

Written by in: field recording,SOUND DESIGN: |
Mar
25
2011
0

Detritus 85

> Spoiler warning (because that’s ALL this video is about, a bit like this T Shirt)

 

> Free plugins? Don’t mind if I do! get yourself a free copy of the Elysia Niveau Filter (Mac & PC) as well as the SoundToys Devil-Loc

 


Both videos by Ben Minto

 

> Quite beautiful photos of CRT TVs switching off

 

> This weekends record mission is up North – to Piha to record The Gap and then Muriwai to record the blowhole… Wahoooooo!

 

Written by in: SOUND DESIGN: |
Mar
25
2011
3

Samoa field recording 5 – Rain

Rain has so much character, but you sometimes only really appreciate it when you are away from your usual environment. Rain in Wellington tends to be either light & mildly chilly when its Northerly, or icy cold when its from the South. Rain in Wellington does not make you throw open the windows or go for walk, it makes you put a jersey on & shelter inside…. Up north in Auckland the climate is far more humid, and when I lived there one of the things I loved most with regards to weather was when the humidity finally broke & the rain came – it was a pleasure to sit outside, under a balconey & enjoy the presence of rain & good friends…

But these rains are but a shadow of the gorgeous rain experienced in Samoa. There rain has a very distinct character, and a distinct envelope. The climate will already be very humid & rain brings with it huge relief. Locals often do not even bother to shelter from it, as they know half an hour later they will be dry again – Samoa really is winterless, and I suspect will be where I escape from New Zealand’s winter in future. But rain in Samoa does not arrive unannounced. I was told many stories of an approaching torrential rain storm sounding ‘like a freight train’ and I heard that distinctive approaching rain sound only once on the last trip & it’s true. I at first did a double take: there are no motorways near here! Then a big warm gust of wind pushes past you and within 30 seconds the rain starts.

It starts with sparse, random great big warm spots of rain but within a minute turns into the densest shower you have ever been in. Of course as with wind, rain is defined sonically by that which it falls upon. If you shelter indoors, say a fale with a tin roof, the percussive nature of the rain starting ramps rapidly from intermittent drops to the densest white noise you’ve ever heard. Check the shape of these waveforms, recorded under a shelter in the park beside Robert Louis Stevensons mansion near Apia, the duration of this screenshot is approximately 2 minutes:

Samoa Rain waveforms

Samoa Rain waveforms

In the film that I’m working on O Le Tulafale (The Orator) rain arrives three times, and each time it has both literal and metaphorical significance. Accordingly recording rain while I was in Samoa was on the top of my list, but I needn’t had feared of a drought – we arrived at the end of the rainy season and rain was not in short supply. After 3 days of off and on rain I started to fear the reverse problem, but there is one thing you can be sure of on a small island nation, NZ included; the weather is always changeable. And that close to the equator it is never cold. But I was very glad I bothered to pack a little travellers brolly, and had those two rain covers for my gear…. It would be very frustrating to lose some serious technology to the elements, just because you weren’t properly prepared.

A brief description of this video: it was very hot, 35 degrees Celcius & we set off to a plantation – first a 20 minute drive over a very bumpy road then a 15-20 minute walk through bush. You can see in the video how much of a track there was (i.e. none) – I was following Tusi (director of the film) who was following Samu. After about ten minutes I was ready to stop: why go further? the ambience hasn’t changed much…. But with 20kg of gear on my back I was doing well to keep up with them both, and they weren’t meandering. When we arrived at the shelter (a tin roof supported by four stakes) and the rain started I suddenly realised why they had been hurrying: it was about to bucket down! The sound in the video is about 2% of the experience, apologies but I am keeping my best efforts for the film not my little tourist videos! I recorded five different rain storms while I was in Samoa, each in a different location…. But the experience of recording this particular one is permanently imprinted in my psyche….

Written by in: field recording,SOUND DESIGN: |
Mar
23
2011
3

Detritus 84

> “I explain that the console has to defy conventional studio aesthetics (dentist office, WWII submarine, 70s disco club) and capture the spirit of modernist design” (via)

 

 

> It wasn’t an earthquake, it was a swarm!

 

> Roald Dahls Matilda, updated

 

> Love the idea of these playground musical instruments – giant marimba FTW!

 

> I’m sure I’ve posted this before but its worth a second look: Aldous Huxley vs George Orwell: Amusing ourselves to death by Stuart McMillen

 

> I have a couple more Samoan field recording posts to finish when I get time, but was working on ambiences & came across this very high frequency bird sound that has a beautiful musicality to it which is even more apparent at half speed:

Samoa Bird by timprebble

 

Written by in: SOUND DESIGN: |
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