By Muko River today
By Muko River today
Ever since doing a data visualisation workshop at SemiPermanent last year I’ve had Open Paths installed on my iPhone, and I just had a look at the data it has collected from my travels…
Interesting to see where I’ve been in New Zealand recently too:
“Using our mobile apps you can track your location, visualize where you’ve been, and upload your data to the OpenPaths website. You can then download your data from the website in a variety of friendly formats, including KML, JSON, and CSV….
You can keep your location history to yourself, or you can share it with specific research initiatives, art projects, or educational programs as you so choose. The OpenPaths online interface allows you to manage who has access to your data. Regardless, your data is always encrypted on the OpenPaths servers, and cannot be accessed by anyone without your express consent.”
▶ fish sing a dawn chorus? who knew?
▶ I changed my flight home by 10 days so I could go to a gig by Ryoji Ikeda x Merzbow, but this makes it even better! #we_LOVE_kakapo!
▶ An orchestra is arranged by the biology of the brain, apparently – I have always wondered if it was some roady imperative…
▶ new doco by Adam Curtis HyperNormalisation is available on BBC iPlayer this weekend
▶ stash this: wifi passwords for airports
▶ wow – new old African Head Charge release is coming!
I remember the day I first hear AHC like it was yesterday! #psychedelic_africa!
▶ maglev turntable, need I say more?
▶ Photography in the Age of Communicative Capitalism by Ben Burbridge
One of the temples I visited in Kyoto this week provided an unintentional reminder of how beautiful feedback can be…. This particular temple has a massive hall/meeting room with a famously painted ceiling….. but the only way to view this ceiling is to take a guided tour…. And when I fronted up for the tour I was advised the tour was ‘Japanese only’ – NO PROBLEM I said & paid my 500 yen.
When we were led into the hall space, the ceiling was indeed beautiful… and our guide proceeded to explain in great detail the back story for the ceiling – or at least I can only presume so, as my slim grasp on Japanese language was not of much use here…. But what was unintentionally beautiful was that she was using a microphone, with speakers feeding/replaying into the large hall chamber….
Every time she paused, the reverb would start to feedback (presumably some compression or limiting was occurring in the PA system) and slowly I started to pay more attention to the feedback, than to what she was saying….
And slowly, it became a concert of slowly evolving reverbant feedback – her voice providing the somewhat relentless input, and the speakers feeding back into the reverbant space providing the beautiful sustained tones…
It made me think
10 rolls of film off to the lab tomorrow
1. KODAK TriX 400 x 36
2. KODAK TriX 400 x 36
3. KODAK TriX 400 x 36
FUJI TX2 (XPAN)
1. KODAK TriX 400 x 36
2. FUJI Velvia 100 x 36
3. KODAK Ektar 100 x 36
4. FUJI Velvia 100 x 36
5. FUJI Velvia 50 x 36
6. FUJI PRO 400H x 36
7. FUJI PRO 400H x 36
I’ve noticed changes in my behaviour since the TX2 arrived – while my Contax T2 is a ‘snapshot’ camera the TX2 is a camera for more considered, sentient shooting – no one told me to change my behaviour but I have noticed the change when using it, especially with the super wide 30mm lens & viewfinder attached.
Compared with digital I would likely fire off a dozen or more shots, while thinking about framing a location or situation, chimping to verify my doubts or lack of confidence.
With the TX2 I tend to have ideas and check them through the viewfinder, not necessarily thinking about what I am seeing per se but allowing my instincts to dictate whether there is actually a shot there or not.
If not, no photo is taken…. maybe reframe & iterate or move on…
I think this is strengthening my ability to previz a photo, whereas shooting any & everything with digital has allowed me to evolve to a degree but maybe as far as clarity of vision goes it does the opposite…
Of course all judgement reserved until those 10 rolls come back from the lab… I shall have a nice bottle of sake chilled & ready for the moment!
Spent yesterday back in Kyoto, visiting temples & mainly shooting dry gardens with my xPan – wow the 30mm lens in panorama mode was first time I’ve (maybe) actually been able to capture some of the gardens, will see when the film comes back from the lab! I revisited a number of temples I had been to before, but was my first time visiting Taizō-in. These are all shots with my Sony a6300
“yes, thats all good but…
how much is the model that can drive along the Z axis?”
Went up to Umeda sky buildings floating garden this afternoon, mainly to shoot some xPan long exposures, but shot these with my Sony a6300 inbetween times… Funny – I went up about 4pm and there were maybe 20 people up there, but as sunset approached large groups of tourists arrived and weirdly tonight it seemed to be mostly young chinese kids armed with selfy sticks… I had my iPod cranked up but walked past a group of about ten kids shooting a very loud selfy video, reacting as the camera panned across them, until a grumpy gaijin grabbed it from them, snapped the stick in half and threw it off the side of the building! The stunned look on their faces was priceless, had it actually happened…
From the ground:
xPan shots to come!