Feb
18
2009
0

A sense of place…

Project management is a term that makes me shudder – I imagine ‘suits’ (or ‘salarymen’ as they are known in Japan) sweating & then feeling like they have done their days work after juggling a few assignments & shouting at a few people in the process of delegating. Even’ delegating’ is a term that makes me uneasy – it evokes feelings of handing off menial work that is unimportant. But with soundtracks we all know EVERY element is important & will get its chance to contribute…

All of this is the dichotomy of large scale film projects. The sheer amount of work involved means it must be spread amongst a number of people & that process is far from arbitrary, simply because assigning it to the wrong person will mean the supervisor will end up spending as much time checking, advising & then fixing work than if they had done it themselves…

Accordingly independent film is closer to my heart, where necessity means that one is involved in every aspect of the soundtrack. And having recently finished a large scale project it has been refreshing to get back to a comparatively independent project. And the most present joy thus far has been getting to record & cut ambiences.

And so I scheduled myself to spend a few days revisiting locations from the film, recording & experiencing the ambiences of the scenes I had been working on. And I got to thinking how important this process is. It goes beyond the necessities of a technically functional soundtrack – it is about a sense of place.

I cant speak for anyone but myself, but from my point of view New Zealand is a place where the environment overpowers the humans. While I believe this to be an intrinsic part of being a New Zealander, when I travel this sense remains with me and I do not think it is solely a kiwi trait. Take one of my literary heroes, Aldous Huxley: “My father considered a walk among the mountains as the equivalent of church going”

So when it comes to building & layering the sonic elements that comprise the ambiences for a film, where do we turn for our inspiration? Our sound library? Other peoples libraries? Well I know the only answer that means I don’t lie awake at night, worrying about the authenticity of the sonic environment in which the films I work on exist: we revisit those locations, preferably at a similar time of year as the shoot, and capture an extensive library of material…. as both source elements & as reference.

See one of the locations in the film made me stop & think: what does it sound like in there? ‘there’ being a series of tunnels linking gun emplacements in the now laughable quest of protecting our borders from foreign invasion… Dripping water? Scary draft winds? But the tunnels are surrounded by ocean, so how does that filer into our senses? And how does it vary relative to where you (and/or the scene) are located?
The two answers are (1) we can try to ‘fake’ or recreate it or (2) we go do our homework, in person, to both listen/experience & record…. I sure know which I prefer and some sounds when taken out of context may well have none of features required to evoke the reality of being there, and so the memory of how it felt is every bit as important as any recordings…. And thats why I believe it essential to visit the locations, to establish a personal reference that will be relied on when editing, premixing the ambiences & final mixing the film….

The same often applies to specific sound effects. As a good example I will always remember recording Burt Munros Indian motorbike for World’s Fastest Indian. I had read of how it was loud, due to the exhaust acting as a trumpet…. but when I heard wildtrack recordings from the shoot I had no personal point of reference. But whoah when I stood in front of it! 15 seconds and I knew EXACTLY how physically loud it was!! Ditto for the feeling a doppler pass created….. ditto for the way it sounded from the distance…. Those memories were a very important part of being able to hold an opinion as to how the mix was sounding, months later….. and DITTO for every location I visited recording ambiences….

ps: if you are planning a visit to North Head in Auckland, this PDF map will be helpful….

Written by in: ambience,SOUND DESIGN: | Tags: , |
Apr
01
2007
4

capturing the wind (part 2)

On the top of Brooklyn Hill, here in Wellington, there is a huge wind turbine which apparently generates enough power to supply 300 homes (especially during a Southerly!) While there is much debate about the visual aesthetics of wind farms I have to confess I quite like the look of them, in fact IMHO they are more pleasant to the eye than many of the architectural abberations (aka suburban homes) in the immediate vicinity….. But even more so I love the sound of them! Where else can you go to hear the sound of air being sliced by a huge propellor? Its not like you can gaffer tape yourself to the front of an aeroplane….

To give you some idea of scale thats my record kit you can just see sitting on the ground at the base – have a listen, here is a recording from last Sunday, plus one from an earlier visit:

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Matt had the genius idea of recording the interior ambience as an element for one of the locations in our current project & so a number of phone calls later we gained access to it….

And wow, what a great drone!

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Not that either of us were keen, but we were told in no uncertain terms not to venture up the internal ladder – just this view gave me vertigo…

Beside the turbine there is also a tower with various aerials & wind measurement devices… the wind was fair whipping around it…

Of course I had my contact mic with me & after speculating as to what sound could be heard from attaching it to one of the guy wires, we just had to find out:

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And this is the sound from tapping the guy wires:

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Next I attached it to the actual base of the entire tower & wow!!!!!!!
sub bass rumbles galore!!!!

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here is the same sound pitched up an octave, so you can appreciate what the rumble consists of:

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I think this is the best criteria for a successful recording mission:
to record what you set out to, but to also find sounds that you didnt even know existed…
bliss!

Written by in: ambience,FX recording |
Jan
06
2007
0

Ambience recording Dec 2006

I havent processed these recordings yet either, but here are a few snapshots of ambience recording locations from my travels….


The east coast of the South Island, near the Ashburton river mouth.


Lake Te Anau, Fiordland – the water was crystal clear.


Totaranui beach, Takaka
I captured three different timelapse shots/ambiences here & I plan to make them into a DVD. When winter gets nasty in Wellington I’ll just turn the heater up & watch/listen to it!


Wharariki beach, Takaka


A gentle breeze in dry long grass – near Wharariki beach, Takaka

I’ll upload the sounds soon, promise!

Written by in: ambience,field recording |
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