
Director – Paul Thomas Anderson + Wikipedia
Composer - Jon Brion
Sound re-recording mixer – Gary Rydstrom
Sound re-recording mixer – Michael Semanick
Supervising sound editor – Phil Benson
Sound designer – Christopher Scarabosio
Sound effects editor – Aura Gilge
Sound effects editor – J.R. Grubbs
Sound effects editor – Stephen Kearney
Sound effects editor – Kirk Denson
Production sound mixer – Ron Judkins
Boom operator – Robert Jackson
Dialogue editor – Jonathan Null
Dialogue editor – Ewa Sztompke
ADR recordist – Rick Canelli
ADR mixer – Thomas J. O’Connell
Foley artist – Dennie Thorpe
Foley artist – Marnie Moore
Foley artist – Jana Vance
Foley mixer – Tony Eckert
Foley mixer – Ben Conrad
Foley recordist – Frank Rinella
Foley recordist – Frank ‘Pepe’ Merel
Foley editor – Andrea S. Gard
Foley editor – Shannon Mills
First assistant sound editor – Jennifer Barin
Assistant sound editor – Chris Barron
Assistant sound editor – Coya Elliott
Assistant sound editor – Stuart McCowan
Assistant sound editor – Marcie Romano
Assistant sound editor – Steve Slanec
Additional production sound mixer – Peter F. Kurland
Additional boom operator – Knox White
Additional boom operator – Lawrence L. Commans
Utility sound – Kat Craig
Sound utility – Peggy Names
Sound recordist – Sean Landeros
Sound recordist – Kathleen McCart
Sound recordist – Eric Bretter
Sound recordist – Jeremy Peirson
Sound recordist – Gary Ritchie
Assistant sound engineer – Koji Egawa
Assistant sound engineer – John Hendrickson
Assistant sound engineer – Steve Mixdorf
Sound mix technician – Brandon Proctor
Machine room operator – Sean England
Machine room operator – Mark Purcell
Sound editorial technical support – Noah Katz
Sound editing intern – Michael Lemass
PostProduction Sound – Skywalker Sound
Total Budget (est) – US$25M






