Following on from previous post of Toshiya Tsunoda’s work and my own brain dump of experiences using contact mics are some great recordings by two sound artists, both doing very interesting work with contact mics – take a break and have a listen:
Australian recordist Martin Kay has been doing some very interesting ambience recording via contact mics at Docklands Stadium in Melbourne. Conceptually the idea of the metal support structure resonating with the energy of the crowd at a sports venue is interesting, but the tonality of the resulting sounds are fascinating and almost dreamy – have a listen here
A second set of Martins recordings involve power pylons at Merri creek – listen here
Korean sound artist Jiyeon Kim recently completed artist residencies “in Italy during June/July. I spent three weeks in total at three different places and throughout three places, I focused on wire recording, for example, with vineyard wires and an abandoned metal cable in the mountain”
Jiyeon posted an outline & some sounds from her work with wires here and here and comments “One of recordings that I liked was metal wire in a small village called Topolo in Northern Italy. I tried to mix resonances of metal wire by nature forces (wind, rain…) and by oscillator/feedback system. After the residencies, I had a sound performance in London, which used recordings from Topolo… You can listen to it through Touch radio streaming here or you can also download it via iTunes here
Inspiring sounds, thanks Martin & Jiyeon!
I just received my new contact mics and while I’m on holiday at my parents house for a week I will do some first test recordings & post a review early next week… stay tuned!