Comments on: Detritus 15 http://www.musicofsound.co.nz/blog/detritus-15 OBSESSED WITH VIBRATING AIR MOLECULES Fri, 10 Feb 2012 11:51:01 +0000 hourly 1 http://wordpress.org/?v=3.3.1 By: tim http://www.musicofsound.co.nz/blog/detritus-15#comment-4100 tim Sun, 15 Nov 2009 01:25:00 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4100 I LOVE hearing all the elements we have spent 3 months preparing become a soundtrack, in context with everything else - now THAT is serious fun to me!! I LOVE hearing all the elements we have spent 3 months preparing become a soundtrack, in context with everything else – now THAT is serious fun to me!!

]]> By: jeff p http://www.musicofsound.co.nz/blog/detritus-15#comment-4099 jeff p Sun, 15 Nov 2009 01:21:34 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4099 lol I know but your "But mixing? Serious fun!!!!" comment threw me off :) lol I know but your “But mixing? Serious fun!!!!” comment threw me off :)

]]> By: tim http://www.musicofsound.co.nz/blog/detritus-15#comment-4098 tim Sun, 15 Nov 2009 01:16:25 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4098 I'm a sound editor - I don't mix... the two mixers are: Mike Hedges http://www.imdb.com/name/nm0373276/ & Gilbert Lake http://www.imdb.com/name/nm1944754/ I’m a sound editor – I don’t mix… the two mixers are:
Mike Hedges
http://www.imdb.com/name/nm0373276/
& Gilbert Lake
http://www.imdb.com/name/nm1944754/

]]> By: jeff p http://www.musicofsound.co.nz/blog/detritus-15#comment-4097 jeff p Sun, 15 Nov 2009 00:05:53 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4097 cool. I have also begun to do all my recordings at higher sample rates and importing them into sessions without converting them to 48khz. Then I speed them up with pitch n time pro. I am always working on serious time/budget constraints so I usually limit this to very important sounds. A little movie I did over the summer mixed at Danetracks and when I had the opportunity to talk to Dane (very nice man) he told me everything was being recorded at 192khz in house. It would be a challenge for me to step away from 48khz effects completely but I took this to heart and intend on trying to get as much "hd" sound in my library as I can. Are you also mixing "boy"? or just there for stage support. cool. I have also begun to do all my recordings at higher sample rates and importing them into sessions without converting them to 48khz. Then I speed them up with pitch n time pro. I am always working on serious time/budget constraints so I usually limit this to very important sounds.

A little movie I did over the summer mixed at Danetracks and when I had the opportunity to talk to Dane (very nice man) he told me everything was being recorded at 192khz in house.

It would be a challenge for me to step away from 48khz effects completely but I took this to heart and intend on trying to get as much “hd” sound in my library as I can.

Are you also mixing “boy”? or just there for stage support.

]]> By: tim http://www.musicofsound.co.nz/blog/detritus-15#comment-4095 tim Sat, 14 Nov 2009 21:25:07 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4095 the session going to the mix is 24/48... I always record FX and ambiences 24/96 so i can pitch them etc without grain, but my work sessions are 24/48... I'll post a screenshot of it - obviously I haven't consolidated the source files so if eg I originally recorded 4 minutes of an ambience & only used 20 seconds of it, then the session contains the full file as a sourcefile.... I don't feel comfortable consolidating files until the mix is 100% finished & its time to output deliveries.... It also contains all of the OMF (ie all prod audio, in sync ex Avid) on hidden muted tracks, as inevitably someone asks: "what does the production audio sound like there?" the session going to the mix is 24/48… I always record FX and ambiences 24/96 so i can pitch them etc without grain, but my work sessions are 24/48… I’ll post a screenshot of it – obviously I haven’t consolidated the source files so if eg I originally recorded 4 minutes of an ambience & only used 20 seconds of it, then the session contains the full file as a sourcefile…. I don’t feel comfortable consolidating files until the mix is 100% finished & its time to output deliveries…. It also contains all of the OMF (ie all prod audio, in sync ex Avid) on hidden muted tracks, as inevitably someone asks: “what does the production audio sound like there?”

]]> By: jeff p http://www.musicofsound.co.nz/blog/detritus-15#comment-4094 jeff p Sat, 14 Nov 2009 21:19:21 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4094 just read about your monster effects session. Was it that size at 24/48 or 24/96? Huge no matter what but I am just wondering. just read about your monster effects session. Was it that size at 24/48 or 24/96? Huge no matter what but I am just wondering.

]]> By: jeff p http://www.musicofsound.co.nz/blog/detritus-15#comment-4091 jeff p Sat, 14 Nov 2009 02:05:31 +0000 http://www.musicofsound.co.nz/blog/?p=3068#comment-4091 wow that delay looks great. I need cv inputs though :) wow that delay looks great. I need cv inputs though :)

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