http://www.musicofsound.co.nz/blog/detritus-28 OBSESSED WITH VIBRATING AIR MOLECULES Fri, 10 Feb 2012 11:51:01 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://www.musicofsound.co.nz/blog/detritus-28#comment-5361 leyton Sun, 21 Feb 2010 19:51:16 +0000 http://www.musicofsound.co.nz/blog/?p=4110#comment-5361 long tail got me. love it.bought it.heavy rotate long tail got me. love it.bought it.heavy rotate

]]> http://www.musicofsound.co.nz/blog/detritus-28#comment-5359 caro snatch Sun, 21 Feb 2010 13:04:30 +0000 http://www.musicofsound.co.nz/blog/?p=4110#comment-5359 nice collection of audio wonders on here :> i feel the no compression album is worthy of contemplation as it questions if compression is "necessary" for a full bodied, hi impact mix... thanks for mentioning! nice collection of audio wonders on here :> i feel the no compression album is worthy of contemplation as it questions if compression is “necessary” for a full bodied, hi impact mix… thanks for mentioning!

]]> http://www.musicofsound.co.nz/blog/detritus-28#comment-5357 Carl Sun, 21 Feb 2010 10:38:51 +0000 http://www.musicofsound.co.nz/blog/?p=4110#comment-5357 I know what you mean about the compression thing. I've been along to film mixes where the mixer boasted about 'using hardly any compression' on dialog, but then proceed to ride the dialog levels so hard that it was basically constant throughout, from shouting scenes to gentle chatter. My TV mixes have more dynamic range in the dialog than that! (at least when they leave my suite - broadcaster compression is a whole other world of hurt) I know what you mean about the compression thing. I’ve been along to film mixes where the mixer boasted about ‘using hardly any compression’ on dialog, but then proceed to ride the dialog levels so hard that it was basically constant throughout, from shouting scenes to gentle chatter. My TV mixes have more dynamic range in the dialog than that! (at least when they leave my suite – broadcaster compression is a whole other world of hurt)

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