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	<title>Comments on: I Heart ProTools VCA Faders!</title>
	<atom:link href="http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders/feed" rel="self" type="application/rss+xml" />
	<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders</link>
	<description>OBSESSED WITH VIBRATING AIR MOLECULES</description>
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		<title>By: Chuck Russom</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-9356</link>
		<dc:creator>Chuck Russom</dc:creator>
		<pubDate>Sun, 21 Nov 2010 08:00:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-9356</guid>
		<description>Hey Tim,

Thanks for sharing.  I love seeing/hearing others break down their work.  Always educational seeing how others are doing things.

-Chuck</description>
		<content:encoded><![CDATA[<p>Hey Tim,</p>
<p>Thanks for sharing.  I love seeing/hearing others break down their work.  Always educational seeing how others are doing things.</p>
<p>-Chuck</p>
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	<item>
		<title>By: acoosticzoo</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-9275</link>
		<dc:creator>acoosticzoo</dc:creator>
		<pubDate>Tue, 16 Nov 2010 01:57:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-9275</guid>
		<description>Thanks for the neat explanation.  It&#039;s amazing you&#039;ve been using Protools since day one literally.  

Regards
Josef Horhay
Mixing Engineer.</description>
		<content:encoded><![CDATA[<p>Thanks for the neat explanation.  It&#8217;s amazing you&#8217;ve been using Protools since day one literally.  </p>
<p>Regards<br />
Josef Horhay<br />
Mixing Engineer.</p>
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	</item>
	<item>
		<title>By: Designing Sound &#187; 100 Articles/Tutorials about Sound Design, Film and Recording, Plus Wooshes Sound Desing</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3866</link>
		<dc:creator>Designing Sound &#187; 100 Articles/Tutorials about Sound Design, Film and Recording, Plus Wooshes Sound Desing</dc:creator>
		<pubDate>Wed, 28 Oct 2009 15:58:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3866</guid>
		<description>[...] I Heart ProTools VCA Faders! [...]</description>
		<content:encoded><![CDATA[<p>[...] I Heart ProTools VCA Faders! [...]</p>
]]></content:encoded>
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	<item>
		<title>By: tim</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3174</link>
		<dc:creator>tim</dc:creator>
		<pubDate>Mon, 07 Sep 2009 00:17:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3174</guid>
		<description>For most films we do seperate predubs of each component, so on a typical film mix schedule:
Dialogue predub = 5 days
Ambience predub = 2-3 days
Foley rpedub = 3 days
FX predub = 1-5 days

So for ambiences, I will take this session to Park Road Post, boot it up &amp; assign all the tracks to direct outputs which feed into the Euphonix desk &amp; the mixer then works through the film, scene by scene premixing the ambiences. So he will route all my source tracks from what I&#039;ve labelled as Ambience A out to a recorder, which will record a 5.0 stem... ditto for source tracks B-&gt; I

If the dialogue predub has been done before ambience, we will play it into the desk monitoring system so we can work in context &amp; make sure the ambiences sit with the dialogue &amp; feel real/appropriate... but even if the dialogue predub hasn&#039;t happened, we would still use a dialogue guidetrack of some sort...</description>
		<content:encoded><![CDATA[<p>For most films we do seperate predubs of each component, so on a typical film mix schedule:<br />
Dialogue predub = 5 days<br />
Ambience predub = 2-3 days<br />
Foley rpedub = 3 days<br />
FX predub = 1-5 days</p>
<p>So for ambiences, I will take this session to Park Road Post, boot it up &#038; assign all the tracks to direct outputs which feed into the Euphonix desk &#038; the mixer then works through the film, scene by scene premixing the ambiences. So he will route all my source tracks from what I&#8217;ve labelled as Ambience A out to a recorder, which will record a 5.0 stem&#8230; ditto for source tracks B-> I</p>
<p>If the dialogue predub has been done before ambience, we will play it into the desk monitoring system so we can work in context &#038; make sure the ambiences sit with the dialogue &#038; feel real/appropriate&#8230; but even if the dialogue predub hasn&#8217;t happened, we would still use a dialogue guidetrack of some sort&#8230;</p>
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		<title>By: Nick R</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3172</link>
		<dc:creator>Nick R</dc:creator>
		<pubDate>Mon, 07 Sep 2009 00:11:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3172</guid>
		<description>Pardon me for being a little OT, but I have a bit of a beginner question for Tim. Do you take this whole session to the Mix Stage,with the FX-A, B etc stems being simply submixes of live individual tracks, or do just separate out pre-mixed stems and combine them with Dialogue and Music into a mix session?</description>
		<content:encoded><![CDATA[<p>Pardon me for being a little OT, but I have a bit of a beginner question for Tim. Do you take this whole session to the Mix Stage,with the FX-A, B etc stems being simply submixes of live individual tracks, or do just separate out pre-mixed stems and combine them with Dialogue and Music into a mix session?</p>
]]></content:encoded>
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		<title>By: Enos Desjardins</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3145</link>
		<dc:creator>Enos Desjardins</dc:creator>
		<pubDate>Sun, 06 Sep 2009 05:08:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3145</guid>
		<description>VCA&#039;s in ProTools are nice indeed.

&quot;Me &#039;hearts&#039; too!</description>
		<content:encoded><![CDATA[<p>VCA&#8217;s in ProTools are nice indeed.</p>
<p>&#8220;Me &#8216;hearts&#8217; too!</p>
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	<item>
		<title>By: Tweets that mention the music of sound » I Heart ProTools VCA Faders! -- Topsy.com</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3095</link>
		<dc:creator>Tweets that mention the music of sound » I Heart ProTools VCA Faders! -- Topsy.com</dc:creator>
		<pubDate>Fri, 04 Sep 2009 18:23:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3095</guid>
		<description>[...] this page was mentioned by night bird (@thenightbird), Joe Griffin (@toxicbag_joe), Miguel Isaza (@misazam), tim prebble (@timprebble) and others. [...]</description>
		<content:encoded><![CDATA[<p>[...] this page was mentioned by night bird (@thenightbird), Joe Griffin (@toxicbag_joe), Miguel Isaza (@misazam), tim prebble (@timprebble) and others. [...]</p>
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	<item>
		<title>By: Cormac</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3073</link>
		<dc:creator>Cormac</dc:creator>
		<pubDate>Fri, 04 Sep 2009 08:49:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3073</guid>
		<description>Nice one Tim, I&#039;m just getting in to VCA&#039;s for the short film I&#039;m working on and it is, as you say, a bit of a revelation not having to suspend groups and worry about automation being lost.</description>
		<content:encoded><![CDATA[<p>Nice one Tim, I&#8217;m just getting in to VCA&#8217;s for the short film I&#8217;m working on and it is, as you say, a bit of a revelation not having to suspend groups and worry about automation being lost.</p>
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		<title>By: Joe G</title>
		<link>http://www.musicofsound.co.nz/blog/i-heart-protools-vca-faders#comment-3070</link>
		<dc:creator>Joe G</dc:creator>
		<pubDate>Fri, 04 Sep 2009 06:14:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicofsound.co.nz/blog/?p=2402#comment-3070</guid>
		<description>This is a fantastic explanation! I had been using Aux channels to submix my groups, and eating up all sorts of processing power to accomplish it. I&#039;m going to start incorporating VCAs on my next project...which as it happens, starts this weekend!

Thanks!</description>
		<content:encoded><![CDATA[<p>This is a fantastic explanation! I had been using Aux channels to submix my groups, and eating up all sorts of processing power to accomplish it. I&#8217;m going to start incorporating VCAs on my next project&#8230;which as it happens, starts this weekend!</p>
<p>Thanks!</p>
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