nuzic 40


▶ Song Exploder: Ibeyi – Deathless (love their accents)

 


▶ Deepchord – Signals [Taken from forthcoming AURATONES LP]

 


▶ Thomas Brinkmann live @ send + receive 2015, via llllllllllllines

 

 

▶ Funny story about this next track – yesterday, Tuesday, I was heading out to do some recording, location is about a 90 minute drive from my house… so by the time I’ve loaded all the gear in the car, I cannot wait to get there… But about ten minutes from my house there was roadworks where there is usually a passing lane & I joined the queue and waited… and waited…

Before I left home I had made a playlist on my iPod of my favourite recent music and I hit play when I left home so only 1 or 2 songs had played…
So I am impatiently sitting in the queue & this song comes on… I crank up the sound system & it sounds so good!! The roadworks suddenly let us through & I carry on driving… slowly realising that my ipod is in shuffle mode. I fckng hate shuffle, if I could disable it for the next 100 years on every device I will ever use that would be fine by me. I never use it, NEVER…. I detest it. Musicians put their tracks in order for a reason, and thats how I want to hear them. I do not, ever want the track order randomised. Ever.
But slowly I become obsessed as to which song it was – the playlist had about 20 albums, EPs etc… Eventually, via a process of elimination and perseverance I finally find it, and its this track.
Play it loud next time you’re stuck in traffic…


▶ DAYLE – Concrete Noun

 

Free parking

Flew as close as I dared.. and shot until I filled the SD card – really mesmerising watching the ocean pound this abandoned 4WD…

Free the Modular!

Incase you missed the news yesterday VCV Rack has launched – when I read their URL I grok it as CV Crack.. and as per the image below, it felt confirmed after my first jam with it last night…

Think of it as virtual Eurorack modular, with the initial free release providing basic modules plus a set of Mutable Instruments modules based on the same code as their great Eurorack modules..

At present it is a freestanding app, but there is a plan to provide a VST bridge and I can easily predict this future: there will be a similar explosion of new modules as per what has happened IRL over the last many years. They likely wont be free, but I applaud the long term thinking of the developers to provide the platform for free, to encourage innovation.

Will this detract from real modular ie IRL? I doubt it – I think more the reverse will happen. This will be a gateway drug for people who have been interested in modular eurorack but have never had the opportunity to try it themselves, or the funds to take the leap of faith. While there are modular plugins already in existence the advantage this system has, is in its relationship to real available modules… For example not sure if you want to sequence from a real modular? Try experimenting with the SEQ-3 module (and no doubt there will be many new sequencing modules soon) and time will tell whether is inspires you or not.

The aspect I liked the most is that it made me think & experiment in a similar way to using my real modular… I started this patch knowing nothing about VCV & ended up with a constantly evolving rhythmic patterns, simply using multiple SEQ-3s with different sequence lengths… I own 3 Rings modules IRL and love them as an easily accessible harmonic pulse generators, so it was a pleasure to just keep adding more of them…

Modules I was most reaching for but could not find: an interesting LFO capable of very slow speeds, a clock divider and a stereo mixer. No doubt these will be coming soon, along with modules I could not predict. Exciting times…

This patch got up to about 45% of my CPU (iMac 5K iMac w 4GHz i7 & 64GB of RAM) and that CPU button is handy as it shows what % of CPU each module is consuming. Not sure how my poor old laptop will cope… YMMV

Congrats to the developers

606 Shoes

606 Shoes at Parliament today, each from a life lost to suicide

DIY

3 basses, 1 guitar, 1 ghuzheng & 1 koto
safely resting

Knowing what you don’t know

It might seem like an oxymoron but I believe knowing what you don’t know is an important skill, and if it requires explanation here it is. No one can know everything, it is simply not possible. But being aware of subjects in which you have no experience or knowledge is a useful awareness to have, because if you go opening your mouth to express an extreme opinion about a subject and suddenly remember “Oh thats right, I don’t actually have an experience with this subject… perhaps I should ask some questions, do some research, then do some thinking.. and maybe then start to create an informed opinion…”

A friend who worked at an Arts school told me about a contemporary technique called ‘de-skilling’ and in this seeming age of fake news and the dismissal of expert advice as though it is some form of unwelcome elitism, maybe just maybe it is symptomatic of a far deeper issue, with an old name: insecurity.

We’ve all met people who seem to be all bluster, with not much to support the apparent strongly held opinions, which are often presented as facts… And here are a couple of very recent examples that made me facepalm – one film sound related & the other political…

Facepalm #1

Read that statement again:

I don’t think the film industry understands the point of surround sound

Good grief…
As if he hasn’t already discredited himself from any sense of the limits of his knowledge, he then proceeds to dictate how film is supposed to be mixed. I could go on for an hour about how many ways his thinking is flawed (eg just for a start WTF is he ripping from and with? Does he have any idea whatsoever as to how a film mix occurs? How many hundreds & thousands of elements are carefully localised & panned? And that there are no set of rules, there may be generalised guidelines but every film is unique AND every scene & moment within each film is unique etc etc) Whats that saying about knowing just enough to be dangerous? As I said… Good grief!

 

 

 

Facepalm #2

As I mentioned NZ is now 2 weeks from an election and we have just had the third leaders debate. The first two debates were broadcast on TV and the third was hosted by a media company and was only available via streaming (their own site + Youtube + Facebook)
From the first moment of the start of the third debate it was very very obvious audio was compromised. They were using radio mics on the two leaders & the host, and the mics for both the MC/host and the incumbant Prime Minister Bill English sounded fine – very similar in quality & level to the well presented TV debates. But the leader of the opposition, Jacinda Aderns mic sounded dreadful. If you have ever worked on production dialogue you will know the tonality of a badly placed lavalier. Jacinda sounded thin & reedy, which combined with her being a woman & her voice being naturally more present in mid/higher frequencies made her voice sound whiny & harsh. I cringed when I heard it & when others online commented to ‘fix her levels’ I commented it was not just levels, it was mic placement.
When they stopped for a break mid way, the MC acknowledged they had an audio problem which they would resolve. They switched to using fixed mics on the lanterns and the MC rightly insisted on a quick mic check to verify the problem was solved. Both the debaters said a few words, it was deemed ok & the debate continued… or did it?

In my opinion Matthew Hooton is a well know National Party lobbyist, who masquerades as an impartial political commentator. And in an apparent moment of desperation he gave birth to a political conspiracy involving the technical crew managing the debate. Again the facepalm – how could anyone not have noticed the appalling audio that Jacinda Adern gracefully suffered for the first 20 minutes of debating? And to not acknowledge it, but to then announce some vast left wing audio conspiracy after the earlier problem was publicly acknowledged & addressed is about as absurd as it is laughable. But what it actually reveals is more interesting: Bias.

 

 

 

 

Coming soon!

Thanks to my Dad for this one!

& apologies to Wagner

 

 

 

Your oldest partners in crime?

Q: what two bits of gear in your studio have you owned for the longest time?

me = Juno106 & Roland 201, both with me 30+ years now

my Juno still has the stickers I put on it for MIDI remote control of Opcode Studio Vision Pro #oldschool

 

 

and you?