shot at Tolaga Bay, 27th March 2013
shot at Tolaga Bay, 27th March 2013
Such sad news, the film lab at Park Road Post is to close – this is a lab that has been operating since 1941, and has processed some of New Zealand’s most iconic films. Its bitter irony that of my entire careers work, my favourite projects were all shot on 35mm film, and I am not casting the net very far back in time to say that. Recent favourite projects shot on film include THE ORATOR in 2011, BOY in 2010, and EMPEROR in 2012. So if digital is THE answer, why were these projects shot on film?
That is the most sad aspect of this news: a creative choice has been removed from film making in New Zealand. No longer can a cinematographer or DOP in New Zealand ask what is the best medium for a project. The format is now dictated to them: it will HAVE to be digital. And given that New Zealands most experienced & imho best cinematographers are people who love to shoot film (Leon Narbey, Alun Bollinger, Stuart Dryburgh) I cannot start to imagine how this very sad news effects them.
But on a slightly more positive note, despite Park Road Post being ‘the last Lab standing’ I can say without a doubt that shortly that won’t be true. While they will become a part of history, a new boutique lab that I happen to know has been in R&D for the last 2 years is nearing launch. I understand it won’t be offering 35mm processing, (nor could they likely cope with an entire feature films worth of rushes) but as with the rebirth of polaroid, something very interesting will rise from the ashes… Film’s dead! Long live Film!
shot at Tolaga Bay, 27th March 2013
shot at Whatipu, 25th March 2013
Here in New Zealand there are a couple of great websites that make travelling more affordable & accessible, but more importantly are also a source of some interesting sounds. Book a Bach and Holiday Homes both serve the same purpose that the Air BnB website does internationally, and that is to hook up travellers with places to stay i.e. empty holiday homes (I’ll leave couch surfing to the more adventurous) I haven’t used Air BnB but I’ve used the two local ones a lot, not so much to rent expensive gin palaces but more to find the classic New Zealand bach in some remote specific location… And thats what I did a few weekends ago in Patea.
I had driven through Patea a number of times and had researched the possiblities for taking photos, so when I checked the address of this particular bach on Google Earth, I knew it was going to be old school! End of one of the very few streets, right beside the river, one block from the beach! And old school it was:
Ain’t nobody winning any architecture awards for it, but character it obviously had by the truckload. And we like character… See, the great thing with old baches & holiday homes is that they are often owned by a family who are keen to help pay the rates etc when they aren’t using it themselves. And some of the baches on those sites are classic; creaky old beach side shacks, likely built back in the 1950s or 1960s and pragmatically maintained ever since….
This particular one in Patea was a stones throw from the beach and about 50m from the river, with a boat ramp right beside it. I arrived early evening on a Saturday night & a group of locals had already set up for a little party, at a picnic table by the riverside. But the really odd thing was I could hear them very clearly but I couldn’t see them, due to the bushes & shrubs on that side of the garden. Of course someone at the party had an acoustic guitar & the party seemed to veer from drunken ranting to atonal sing alongs… So of course what did I do? Set up some mics and left the recorder rolling for an hour or so… Realistic party crowd soudns are very useful, especially when they are real and to get reasonably clean recordings AND in an exterior location is also very handy – they’ll find a place in a movie in the future…. “Drunken party background take 1….”
But despite having no specific plans, that wasn’t the sound I expected find in such places – its more often great creaky doors or floorboards, weirdly functioning appliances… and the sound of the environment on the house…. And for the next 2 days I was far more focused on getting outside & enjoying the beach & shooting photos – I noticed sounds but I didn’t stop to record them… But the on last day the wind picked up & I suddenly became aware of a whole new sound that this bach helped create… Check that roof:
That chimney was connected to what in winter would be a godsend, a little woodburner… In summer it doesn’t see any use, but if you ever visit a house with a woodburner make a mental note that it is a source of some VERY useable sounds.
The sound of the wind hitting that chimney sounded fantastic to the ear, but via the contact mics? Magic!
But also note, the metal door on woodburners is a VERY useful source of metal groans & creaks, which as a sound effects editor you can simply never have enough of….
Being an old house located almost at water level also meant the water system was a little funky – god knows where the water was draining to – hopefully not directly into the river but maybe only a few steps removed… And the first time I had a shower I noticed how resonant the gurgle on the bath was… So once I had the mics out I filled up the bath a bit, pulled the plug & marvelled at how long the outlet glurped for – if I hadn’t been recording I would have started playing along with it, such a weird rhythm at the end!?!
Lastly, my apartment does not have curtains – not really my choice, it has blinds & I’ve replaced some of them with shoji… but any number of times I’ve needed to edit the sound of curtains & as this bach seemed to have about a dozen varieties I couldn’t help but record those too… maybe partly motivated by the fact this looks straight out of a David Lynch film:
So who cares about curtains right?
Here is the moral of this little rant.
Just before the Oscars were announced I figured I’d go see the few movies up for sound that I had any interest in, and I don’t want to cast specific aspersions – primarily because there is no point, but also because I don’t know the back story of how that soundtrack was put together, but anyway…. At what was in many ways the emotional climax of the film, a door is opened to reveal a profound moment. And guess what? I am pretty damn sure, the sound of that door open, THE door open of all door opens, was from Sound Ideas 60XX!?! Now I know, I know… Most of the audience don’t care… And by most I mean 99.99%…. but I was close to getting up & leaving at that point. To have done such great work all the way through this film, sculpting pure genius…. & then… totally ruin it by doing the sonic equivalent of cutting in an important cut away as a stock image?? Maybe I’m wrong, I’ll have to wait for the DVD release to actually verify it… but…
So anyway… please, have a weekend away, every so often. Do your psyche & your ears a favour & rent a characterful old house, that costs less than a single night in a crass hotel….
But take your record kit. Record the doors. Record the curtains. Record five or ten things that you didn’t expect to find there… And don’t be in a rush to use them… But when that magic moment arrives you will know you have the perfectly characterful sound for it… And it’s a sound no one else has, just you. And you know the back story to where you recorded it, and when… Sure 99.99% of the audience won’t care, but you will… because you have put a little bit more of you into your work….