Jun
26
2009
5

A Sound You Will Never Forget

Is there a sound from your past that you will never forget? A memory so vivid that even reading this question takes you straight back there? If so i’d love to hear about it & via the comments on the previous post heres one from Brendan Hogan (thanks Brendan!)

“Did you know that there are hundreds of species of cicadas and that in places where there are many species living together (like the jungle’s of South East Asia) they take turns singing throughout the day? It is possible even to tell the time of day with a margin of error of only five minutes; just by listening to which species of cicada is singing at that moment. Most sound like a horror movie sound track but once, when I was sitting with a group of monks in a monastery on top of a fogged in mountain, I heard a cicada sound that sounded exactly like a violin section playing one continually sustaining note. I will remember that forever.”

Wow!

A sound memory that will stay with me forever similarly occurred while travelling in another country & culture. Late in 2007 I needed a serious break from work, having just finished six months working on 30 Days of Night, so I decided to go to Japan for six weeks. I spent the first 3 weeks based in Tokyo, getting lost lots but slowly learning my way around the city & visiting nearby regions. I then headed south to Kansai region & I had been there a week when I got an email from a friend in NZ who had just got a new job & as he had a few weeks off before it started he decided to come join me & suggested a road trip. So he met me in Osaka & we planned where we wanted to go – we had both previously been to Naoshima, a small island in the Japan Inland sea which has a number of incredible Tadao Ando designed art galleries on it, so we decided to revisit it & figured since we were in the region we should check out some of the other islands in the inland sea. I was keen on Awajishima as I knew there were two major works by Tadao Ando there & then my friend suggested Shodoshima. Now the weird thing is, any Japanese people we mentioned visiting Shodoshima to tended to scoff, as if theres nothing much to see there… but for some reason we persevered & I am so glad we did.

We caught a ferry over to Shodoshima & drove all around the island & then headed inland, as I had read there was a pretty stunning gondola from about half way up the mountain range. And we weren’t disappointed. I suffer varying degrees of vertigo, not so much panic as bouts of anxiety, but I decided to base my level of concern on the Japanese tourists who were in the same carriage as us & they didnt seem to be even slightly nervous… Once we got to the top the views were stunning & I managed to record a whole tribe of monkeys, who had an obvious system where adult monkeys acted as lookout & if you got within 100m of where the young monkeys were playing the guard monkeys would shriek & shake the trees to warn the rest of the clan… But that wasn’t the most memorable sound of the day…

On the way back, driving down through forests we came upon a beautiful old temple & without saying anything we decided to stop & have a look. The main temple was up quite a few steps & parts of it appeared to be built into the actual rockface. As we walked up the stone steps an older Japanese man came wandering up the other steps, carrying some gardening tools & a big bag of leaves & weeds. He grinned at us & said hello in english & asked where we were from & then wandered off…

We had a look around the temple, without going in & then at the surroundings – it was a beautiful location & I stopped to record some echoy water sounds that were coming from a gap in the rocks, and I heard my friend go back down to the temple & then heard him doing the traditional hand claps outside the temple & a few minutes later he called out to me to come… So I wandered down & here was the gardener we had met previously, although now he was dressed in full robes & invited us to go into the temple. So we took off our shoes & walked inside & from the main room there was a set of stairs that literally went up into a cave. We followed him up the stairs & came to a small antechamber that was above the temple & had a bit of a view, but from there was a set of really steep metal steps that went up about 5 metres! So we followed him up there & entered what was truly one of the most beautiful spaces I’ve ever been in. There was only a little natural light, but the room was glowing from from more than 50 soft lamps, and as our eyes adjusted I noticed the beautiful big metal bell. The priest asked us our names & then lit a small fire, lit a large handful of incense & then proceeded to perform a ritual prayer for us. As he chanted he would occasionally hit the big bell & the resonance of both his voice & the bell combined in that chamber to just the most astoundingly beautiful sound I have ever heard. As soon as we got to the upper chamber I asked the priest if I could take a photo, to which he shook his head no. Just before the prayer started my friend nudged me & pointed at my little H2 recorder & I didn’t hesitate & shook my head – this was to be a memory, not a recording. I will remember those sounds forever.

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Oct
25
2008
0

School of Sound

Every year I receive an email notifying me of the next School of Sound (held annually in London) and I wistfully think one day I’ll get there, but for some reason the April dates never fall between films, and flying from New Zealand to London is not something to be done directly, unless you like to suffer. Seems they dont really make planes with 6ft tall people in mind, unless you are a rich 6ft person & can afford to get out of cattle class…
Anyway if you live in London or at least closer than I do, can I highly reccomend you check out The School of Sound, 2009:

The 8th SCHOOL OF SOUND International Symposium
15 – 18 April 2009
Southbank Centre, London

The School of Sound presents a stimulating and provocative series of master classes by practitioners, artists and academics on the creative use of sound with image. Directors, sound designers, composers, editors and theorists working at the highest levels of film, the arts and media show us the soundtrack from unexpected perspectives. They reveal the methods, theories and creative thinking that lie behind the most effective uses of sound and music. If you work in film, television, commercials, radio or multimedia – this event will convince you of the extraordinary potential of the soundtrack.

We have devised a programme that is as useful for the director, producer or screenwriter as it is for the sound designer and composer. Sound in storytelling, sonic environments, human sound perception – the topics range from the practical to the aesthetic to the abstract during these intense four-day meetings.

In its previous editions, the SOS has attracted delegates from over 25 countries. Join us for our eighth event in 2009. At the SOS you will not learn about hardware or software. But we can introduce you to the ideas of creators working at the cutting edge of sound production and inspire you to say, “I never thought of working that way.”

Confirmed speakers
MANI KAUL
Noted Indian director presenting the work of Ritwik Ghatak

HILDEGARD WESTERKAMP
Composer, radio artist and sound ecologist

DANIEL DESHAYS
Sound Designer and Music Producer for film, radio, dance and theatre,
collaborating with Chantal Akerman, Agnes Jaoui and Philippe Garrel

PAT JACKSON
Features Sound Designer (Jarhead, The English Patient,
The Talented Mr. Ripley) and Film Editor

PIERS PLOWRIGHT
Radio features producer

ROGER CRITTENDEN
Drama editor, former Head of the MA Programme at the NFTS and
author of Fine Cuts: The Art of European Film Editing

STEVE MUNRO
Film Sound Designer known for his longtime collaboration with Atom Egoyan

KIM LONGINOTTO
Documentary filmmaker (Divorce Iranian Style,
The Day I Will Never Forget, Sisters In Law)

PHIL SOLOMON
Avant-garde filmmaker, video and installation artist

Registrations now being accepted. For information about the programme, fees and registering, go to www.schoolofsound.co.uk, email sos@schoolofsound.co.uk or phone 00 44 20 7724 6616

Can I also highly reccomend a book published of previous lectures, mentioned previously here in my sound design book list & available from the school of sound website. I particularly enjoyed the section by Walter Murch (as always) and Carter Burwell but also found Mani Kaul very very interesting & philosophical, hence the upcoming 2009 session will be a definite highlight… I’m also a big fan of Atom Egoyans emotionally driven films so hearing Steve Munro speak would also be very interesting… But I’ve got two films back to back from January to May, so…. I’ll just have to dream of 2010…

Written by in: SOUND DESIGN: | Tags: , |
Aug
06
2008
0

Break glass with your voice?

Who else would you ask to prove if its actually possible?
Mythbusters of course!

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