Detritus 579

 

 

 

 


▶ Wait for it…

 

 

▶ How do fish hear?

 

 

He said inspiration is a butterfly and your imagination is a garden. “You organise your life in such a way that the moment of creation is more likely. You don’t just wait for the inspiration to strike; you try to make your mind an attractive one for inspiration to strike in.”

Quoted

 

 

▶ Monoskop on twitter:If it’s not a bug it’s a feature, this is big.
MIT Press has now granted full access to all its journals

Computer Music Journal
Volume 43
Full Access Issue 4 – Winter 2019 – Interaction with Digital Devices
Full Access Issue 2-3 – Summer/Fall 2019 – Physical Modeling, the Prepared Digital Piano, and Systems for Composition or Improvisation
Full Access Issue 1 – Spring 2019 – Navigating Instrumental Space
Volume 42
Full Access Issue 4 – Winter 2018 – Music Information Retrieval in Live Coding
Full Access Issue 3 – Fall 2018 – Unconventional Computing
Full Access Issue 2 – Summer 2018 – Machine Learning for Improvisation
Full Access Issue 1 – Spring 2018 – Emulating Babbitt
Volume 41
Full Access Issue 4 – Winter 2017 – Multitouch Spectral Manipulation
Full Access Issue 3 – Fall 2017 – Animated Notation
Full Access Issue 2 – Summer 2017 – Musical Interface Design
Full Access Issue 1 – Spring 2017 – High-Density Loudspeaker Arrays, Part 2: Spatial Perception and Creative Practice
Volume 40
Full Access Issue 4 – Winter 2016 – High-Density Loudspeaker Arrays, Part 1: Institutions
Full Access Issue 3 – Fall 2016 – Collaborative Resonances and Obstinate Interfaces
Full Access Issue 2 – Summer 2016 – The Metamorphoses of a Pioneering Controller
Full Access Issue 1 – Spring 2016 – Listening Back, Listening Forward
Volume 39
Full Access Issue 4 – Winter 2015 – ChucK and Other Recent Languages for Computer Music
Full Access Issue 3 – Fall 2015 – Dynamical Systems and Simplicial Chord Spaces
Full Access Issue 2 – Summer 2015 – Narrowing the Gap between Symbol and Signal
Full Access Issue 1 – Spring 2015 – A Challenge to the Dominant Ontology
Volume 38
Full Access Issue 4 – Winter 2014 – Different Angles on Sound Synthesis
Full Access Issue 3 – Fall 2014 – Advances in the Design of Mapping for Computer Music
Full Access Issue 2 – Summer 2014 – The Mobile Phone as Musical Instrument
Full Access Issue 1 – Spring 2014 – Live Coding
Volume 37
Full Access Issue 4 – Winter 2013 – Analyzing Jazz Chord Progressions
Full Access Issue 3 – Fall 2013 – Recalling a Singular Synthesizer
Full Access Issue 2 – Summer 2013 – Timing and Synchronization in Performance
Full Access Issue 1 – Spring 2013 – Spatial Sound Description and Open-Source Haptics
Volume 36
Full Access Issue 4 – Winter 2012 – Building a Community Around a Digital Musical Instrument
Full Access Issue 3 – Fall 2012 – Automatic Generation of Acousmatic Music
Full Access Issue 2 – Summer 2012 – Automated Mix Delivery
Full Access Issue 1 – Spring 2012 – A Sounding Board
Volume 35
Full Access Issue 4 – Winter 2011 – Ensembles of Digitally Controlled Acoustic Instruments
Full Access Issue 3 – Fall 2011 – Emulative Algorithms and Creative Algorithms
Full Access Issue 2 – Summer 2011 – Communication in Performance
Full Access Issue 1 – Spring 2011 – Human–Computer Interaction 2
Volume 34
Full Access Issue 4 – Winter 2010 – Human–Computer Interaction 1
Full Access Issue 3 – Fall 2010 – Sound and Music Computing
Full Access Issue 2 – Summer 2010 – Musical Constraint Solvers
Full Access Issue 1 – Spring 2010 – Emotion and Expression
Volume 33
Full Access Issue 4 – Winter 2009 – Emulation of Reed Instruments
Full Access Issue 3 – Fall 2009 – A Tribute to Computer Music’s Founder
Full Access Issue 2 – Summer 2009 – A Virtual Poème
Full Access Issue 1 – Spring 2009 – Music Neurotechnology
Volume 32
Full Access Issue 4 – Winter 2008 – Parametric Piano Synthesis
Full Access Issue 3 – Fall 2008 – Synthesis, Spatialization, Transcription, Transformation
Full Access Issue 2 – Summer 2008 – Digital Audio Effects
Full Access Issue 1 – Spring 2008 – Pattern Discovery and the Laptop Orchestra
Volume 31
Full Access Issue 4 – Winter 2007 – Microtonal Controllers and Notation
Full Access Issue 3 – Fall 2007 – The Reconstruction of Stria
Full Access Issue 2 – Summer 2007 – Creating Sonic Spaces
Full Access Issue 1 – Spring 2007 – “Bending” a Cellular Automaton

etc

 

 

also Leonardo Music Journal

 

 

 

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