THIS is genius!

“Any experienced studio engineer or producer knows that the presence of visitors in the studio can dramatically alter the performance of singers and musicians. Sometimes the effect can be beneficial, other times it can be disastrous.

Using advanced propriety computer modelling, the Virtual Studio Visitor plugin convincingly emulates the effect of various studio visitors on a performance, without the need of the visitor to actually be present.
Want to hear what the lead singer would sound like if his angry girlfriend was watching from the control room? It’s as simple as applying the Viurtual Studio Visitor ‘Resentful Girlfriend/Wife’ preset to his unaffected vocal track.

The sound can be further customized by adjusting controls for how much the singer or musician hates, respects or fears the Virtual Visitor, as well as controls for setting the level of sexual involvement with the person. Two additional controls specify whether or not the visitor is an ex-band member and whether the visitor is owed money by the musican or singer. The overall level of the effect is determined by the Strength knob, allowing fine-tuning’

Hah! Brilliant!
wonder if they make a version for ADR sessions?

Mixing films usually involves playing with subwoofers at some point,
but thats in a big room with plenty of air…..check this video clip of
insane car subwooferage:

You only have to go to a gig or stand in front of a drum kit or bass amp
to appreciate the physical effects of sound, but this video illustrates the
effect frequency has on the natural balance between order and chaos….

Anarchy rules! (at some frequencys anyway)

How come you can shut your eyes but not your ears?

A crucial skill not often discussed by people who work with sound is that of being able to focus your ears… Most people understand the idea of focusing your eyes because we all do it constantly and you especially become conscious of the skill if you have some kind of vision defect/gift such as myopia. But how do you go about focusing your ears?

It seems if you were considering the idea of ‘training’ your ears to detect pitch (if not perfect pitch then relative pitch) then there are plenty of books & courses of study/practice. This is due to history and musical tradition ie you MUST be able to sing/play in tune… So the idea of training your ear to focus on pitch is well known, but what of sonic focus ie to be able to sonically zoom in & focus on a sonic detail?

As an example when we are mixing a film there may well be 100 sonic elements playing at once, all contributing at different relative levels as the scene plays but it sems the ‘trained’ mind has an ability to ‘look’ past all the mass of sound & hear, say, a single glitch or a mistake/imbalance. Or to focus specifically on one element of a background ambience.

Compared with visual focus, it seems sonic focus is psychological – we aren’t altering our ear function to zoom in on a sound. So focusing the ear is more of an aesthetic endeavor than a purely technical one, we are choosing to focus our mind to listen to one aspect of what our ears are hearing… So is this heading into the land of psychoacoustics, cognitive psychology or instinct?

Everyone has experienced a bad ADR session, but I have never heard an actor so eloquently insult the director as Orsen Welles does while attempting to voice this commercial!