{"id":20805,"date":"2015-02-18T09:50:45","date_gmt":"2015-02-17T20:50:45","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=20805"},"modified":"2021-02-20T11:24:46","modified_gmt":"2021-02-19T22:24:46","slug":"detritus-340","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-340","title":{"rendered":"Detritus 340"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/pKwdvbNsR5I?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 Wouter van Veldhoven via <a href=\"https:\/\/www.muffwiggler.com\/forum\/viewtopic.php?t=125783&#038;start=all&#038;postdays=0&#038;postorder=asc\">this thread<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 &#8220;I\u2019ve never stopped using them because <a href=\"https:\/\/www.theransomnote.co.uk\/music\/interviews\/graham-massey-talks-808-state-pacific-and-revisiting-the-past\/\">I\u2019ve not found anything<\/a> that really replaces it&#8221; (thanks Calum) &#8211; funniest non question: &#8220;Basically its the rave version Of Baker Street?&#8221;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"555\" src=\"https:\/\/www.youtube.com\/embed\/6jQ_bOP0HfY?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 &#8220;<em>In Tibet there are temples, where for centuries monks have chanted at the resonant frequencies of the temple. If one e.g. \u201cthunks\u201d the side of these temples, indeed, they resonate at these chanted frequencies!<\/em>&#8221; via Acoustics of Palaeolithic Caves &#8211; <a href=\"https:\/\/www3.canyons.edu\/faculty\/jenkinsd\/Acoustics_of_Palaeolithic_Caves.pdf\">PDF here<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 the opposite of addiction <a href=\"https:\/\/www.huffingtonpost.com\/johann-hari\/the-real-cause-of-addicti_b_6506936.html\">is not sobriety<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 tuning <a href=\"https:\/\/www.newyorker.com\/magazine\/2015\/02\/23\/wizards-sound\">restaurant ambience<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/118854978?color=fa0207&#038;title=0&#038;byline=0&#038;portrait=0\" width=\"740\" height=\"416\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe> <\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 great <a href=\"https:\/\/www.john-lane.com\/standinginthestream\/2015\/2\/12\/episode-6-glenn-weyant\">interview with Glenn Weyant<\/a>, fascinating instrument builder &#038; experimental musician (one project\/series of works involves &#8216;playing&#8217; the border wall between USA and Mexico)<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/qoLS9We9hl4?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\nthanks Georgi!<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 <strong>CONGRATS<\/strong> to all the nominees and winenrs of recent <a href=\"https:\/\/cinemaaudiosociety.org\/?p=3945\">CAS awards<\/a> and <a href=\"https:\/\/www.thewrap.com\/american-sniper-unbroken-among-sound-editors-golden-reel-winners-complete-list\">MPSE awards<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u25b6 Wouter van Veldhoven via this thread &nbsp; \u25b6 &#8220;I\u2019ve never stopped using them because I\u2019ve not found anything that really replaces it&#8221; (thanks Calum) &#8211; funniest non question: &#8220;Basically its the rave version Of Baker Street?&#8221; &nbsp; \u25b6 &#8220;In&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":8,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-20805","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/20805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=20805"}],"version-history":[{"count":19,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/20805\/revisions"}],"predecessor-version":[{"id":20850,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/20805\/revisions\/20850"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=20805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=20805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=20805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}