{"id":28605,"date":"2017-05-21T12:52:52","date_gmt":"2017-05-21T00:52:52","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=28605"},"modified":"2021-02-20T11:22:10","modified_gmt":"2021-02-19T22:22:10","slug":"detritus-421","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-421","title":{"rendered":"Detritus 421"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/41XUG09vYEQ?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 Trotify<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 on <a href=\"https:\/\/www.theguardian.com\/music\/2017\/may\/08\/dont-apologise-for-classical-music-complexity-alan-davey-radio-3\">complexity in music<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 &#8220;Leibezeit&#8217;s system, which is roughly analagous to Morse code, is referred to as E-T&#8230;&#8221;<br \/>\n &#8211; <a href=\"https:\/\/thequietus.com\/articles\/22327-jaki-liebezeit-can-e-t-theory-drumming-technique\">fascinating rhythms!<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/gNbSjMFd7j4?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 <a href=\"https:\/\/www.youtube.com\/channel\/UCBLBaTZqjr8-VEjXBnz7tOA\">macro room<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 on <a href=\"https:\/\/qz.com\/975137\/being-on-the-same-wavelength-isnt-just-a-figure-of-speech-its-proven-neuroscience\/\">the same wavelength?<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/ajM4vYCZMZk?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 Ennio Morricone &#8211; The Ecstasy of Gold &#8211; theremin &#038; voice, by Carolina Eyck<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 interesting read: <a href=\"https:\/\/erickimphotography.com\/blog\/2017\/05\/09\/how-i-earn-200000-a-year-from-photography\/\">How I earn $200,000 a year<\/a> from photography<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 What you need to know when <a href=\"https:\/\/lifehacker.com\/what-you-need-to-know-when-recording-your-enemies-1795226719?IR=T\">recording your enemies<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 when the moronic comments prove your point: your workplace &#038; <a href=\"https:\/\/thequietus.com\/articles\/22436-recording-studios-sexism-music-industriy\">belonging<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 so astonishingly loud, that it\u2019s inching up against <a href=\"https:\/\/nautil.us\/blog\/the-sound-so-loud-that-it-circled-the-earth-four-times\">the limits of what we mean by \u201csound.\u201d<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 ever wonder what happened to the much hyped <a href=\"https:\/\/backchannel.com\/how-google-book-search-got-lost-c2d2cf77121d\">google books search?<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 between air and electricity: <a href=\"https:\/\/microphonesandloudspeakers.com\">microphones &#038; speakers as musical instruments<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/xuCn8ux2gbs?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u25b6 Trotify &nbsp; \u25b6 on complexity in music &nbsp; \u25b6 &#8220;Leibezeit&#8217;s system, which is roughly analagous to Morse code, is referred to as E-T&#8230;&#8221; &#8211; fascinating rhythms! &nbsp; \u25b6 macro room &nbsp; \u25b6 on the same wavelength? &nbsp; \u25b6 Ennio&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":6,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-28605","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=28605"}],"version-history":[{"count":23,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28605\/revisions"}],"predecessor-version":[{"id":28752,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28605\/revisions\/28752"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=28605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=28605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=28605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}