{"id":28757,"date":"2017-06-02T17:26:25","date_gmt":"2017-06-02T05:26:25","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=28757"},"modified":"2021-02-20T11:22:10","modified_gmt":"2021-02-19T22:22:10","slug":"detritus-422","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-422","title":{"rendered":"Detritus 422"},"content":{"rendered":"<p>\u25b6 I don&#8217;t have any great issues with Facebook &#8211; it is what it is&#8230; but for a platform to be so all pervasive, its behaviour and functionality at times is surprising&#8230; Here are three such examples: <\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 &#8220;Welcome to the next phase of Facebook privacy backlash, where the big fear isn\u2019t just what Facebook knows about its users but whether that <a href=\"https:\/\/www.wired.com\/2017\/05\/welcome-next-phase-facebook-backlash\/\">knowledge can be weaponized<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 also, WTF? Facebook&#8217;s <a href=\"https:\/\/www.theguardian.com\/news\/2017\/may\/21\/revealed-facebook-internal-rulebook-sex-terrorism-violence\">internal rulebook on sex, terrorism and violence<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 also, <a href=\"https:\/\/daringfireball.net\/2017\/06\/fuck_facebook\">Why I Can\u2019t\/Won\u2019t Point to Facebook Blog Posts<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/WGlVzIlJvno?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 NIME&#8217;17 &#8211; O Soli Mio: Exploring Millimeter Wave Radar for Musical Interaction<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 &#8220;when I see the lines <a href=\"https:\/\/www.forbes.com\/sites\/olliebarder\/2017\/05\/26\/katsuhiro-otomo-on-creating-akira-and-designing-the-coolest-bike-in-all-of-manga-and-anime\">I can tell who did what&#8221; #anime<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 reverse engineering <a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2017\/05\/how-the-beatles-wrote-a-day-in-the-life\/527001\/?single_page=true\">\u2018A Day in the Life\u2019<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 To Cite or to Steal? <a href=\"https:\/\/hyperallergic.com\/308436\/to-cite-or-to-steal-when-a-scholarly-project-turns-up-in-a-gallery\/\">When a Scholarly Project Turns Up in a Gallery<\/a> &#8211; funny thing is, the recent work that is claimed as plagiarized from 2013, seems very similar in concept to <a href=\"https:\/\/www.c4gallery.com\/artist\/database\/hiroshi-sugimoto\/movie-theatres-theaters\/hiroshi-sugimoto-movie-theatres-theaters.html\">a series of photos by Hiroshi Sugimoto<\/a> that date back to the 1970s&#8230; careful with those accusations!<br \/>\nvia <a href=\"https:\/\/www.metafilter.com\/167130\/To-Cite-or-to-Steal\">metafilter<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Rebecca Solnit nails the orange one:<br \/>\n<a href=\"https:\/\/lithub.com\/rebecca-solnit-the-loneliness-of-donald-trump\/\">ON THE CORROSIVE PRIVILEGE OF THE MOST MOCKED MAN IN THE WORLD<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/XBP0jmpjzBw?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n\u25b6 by Kim Kichul<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 love <a href=\"https:\/\/www.theguardian.com\/music\/live\/2015\/may\/11\/goldie-webchat-timeless-heritage-orchestra\">this Q<\/a> during an <a href=\"https:\/\/www.theguardian.com\/music\/live\/2015\/may\/11\/goldie-webchat-timeless-heritage-orchestra\">AMA w Goldie<\/a><br \/>\n&#8220;What motivates the presence of orchestral music in the claustrophobic urban spaces typically defined by your musical work?&#8221;<br \/>\n#reverse_snobbism?<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 great MW thread: Unsung\/lesser-known <a href=\"https:\/\/www.muffwiggler.com\/forum\/viewtopic.php?t=182915\">software for musics?<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/dDBuGbvfwy4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u25b6 I don&#8217;t have any great issues with Facebook &#8211; it is what it is&#8230; but for a platform to be so all pervasive, its behaviour and functionality at times is surprising&#8230; Here are three such examples: &nbsp; \u25b6 &#8220;Welcome&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":9,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-28757","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=28757"}],"version-history":[{"count":9,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28757\/revisions"}],"predecessor-version":[{"id":28795,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/28757\/revisions\/28795"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=28757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=28757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=28757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}