{"id":3172,"date":"2010-01-12T22:19:38","date_gmt":"2010-01-12T09:19:38","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=3172"},"modified":"2010-01-12T22:19:38","modified_gmt":"2010-01-12T09:19:38","slug":"shortcuts-ii-using-a-second-usb-keyboard","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/shortcuts-ii-using-a-second-usb-keyboard","title":{"rendered":"Shortcuts II: Using a Second USB Keyboard"},"content":{"rendered":"<p>I&#8217;ve ranted before about how important learning shortcuts is for sound editors <a href=\"https:\/\/www.musicofsound.co.nz\/blog\/sd101-shortcuts\">(SD101: shortcuts)<\/a> &#038; I&#8217;ve also posted about a nifty USB device which enables you to assign shortcuts to dedicated keys in any layout you like (the <a href=\"https:\/\/www.musicofsound.co.nz\/blog\/augmenting-your-ui\">Ergodex<\/a>) but recently I found out about a means of adding dedicated physical keys that must be the most cost effective yet: simply plug in a second USB Mac keyboard!<br \/>\nNow like me you probably thought of this long ago &#038; discovered it wasn&#8217;t possible. I had dreams of using gaffer tape to permanently hold down eg the control &#038; command keys on a second keyboard &#038; thereby have a whole new set of 100+ keys to assign shortcuts to. But I soon discovered that to hold down the command key on one keyboard equated to holding it down on both keyboards, so I wrote off the idea as fundamentally flawed, and so I bought my Ergodex (which I like, but I don&#8217;t use it as much as I imagined I might)<br \/>\nAnd then Quickeys version 4 was released and all that changed!<\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.musicofsound.co.nz\/zimages\/QKdevices.jpg\" alt=\"Quickeys devices setup\" \/><\/center><\/p>\n<p>In Quickeys 4 there is a menu item for DEVICES, which lists all the USB devices connected and by choosing &#8220;Use this device exclusively with Quickeys&#8221; you can preclude it from having any effect on anything else on your Mac, other than as a means of triggering Quickeys! Brilliant! (And thanks to Emile for pointing out this new feature!)<\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.musicofsound.co.nz\/zimages\/twokeybds.jpg\" alt=\"two USB keyboards\" \/><\/center><\/p>\n<p>Also of potential interest, Quickeys 4 supports the iPod Touch\/iPhone, so you can trigger Quickeys shortcuts or scripts via wifi &#8211; check the <a href=\"itms:\/\/itunes.apple.com\/us\/app\/quickeys-anywhere\/id337947888?mt=8\">iTunes App Store<\/a> for more info&#8230;. but thats not all, check this:<\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.musicofsound.co.nz\/zimages\/QKmidi.jpg\" alt=\"Quickeys MIDI triggers\" \/><\/center><\/p>\n<p>So any time I play a tritone it can dim the lights? Handy&#8230;.<\/p>\n<p>A small sidenote: <a href=\"https:\/\/www.startly.com\/products\/quickeys\/mac\/4\/\">Quickeys<\/a> 4 requires OSX 10.5+ which I have finally made the leap to&#8230; So I&#8217;m also now on ProTools 8, which I am still getting used to&#8230;. and after migrating all my plugins and applications, guess which was the only company that required me to completely reinstall the plugins AND the libraries &#038; then totally reauthorise? Native Instruments&#8230; FFS! I&#8217;ve only updated my home Mac &#038; PT LE &#8211; I still have to go through the same painful process for my studio PT HD&#8230; Grrrrrrrr! Native Instruments get my vote as having the worst authorisation process!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve ranted before about how important learning shortcuts is for sound editors (SD101: shortcuts) &#038; I&#8217;ve also posted about a nifty USB device which enables you to assign shortcuts to dedicated keys in any layout you like (the Ergodex) but&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":22,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-3172","post","type-post","status-publish","format-standard","hentry","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/3172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=3172"}],"version-history":[{"count":9,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/3172\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/3172\/revisions\/3760"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=3172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=3172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=3172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}