{"id":36144,"date":"2019-06-23T11:32:12","date_gmt":"2019-06-22T23:32:12","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=36144"},"modified":"2021-02-20T11:21:20","modified_gmt":"2021-02-19T22:21:20","slug":"detritus-484","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-484","title":{"rendered":"Detritus 484"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/sH7S3qHWDg0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\n\u25b6 Ryoji Ikeda <a href=\"https:\/\/www.nytimes.com\/paidpost\/audemars-piguet\/enter-the-data-verse.html\">interview<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 <em>&#8220;Until recently, it was nigh on impossible to hear what any of these guys were saying, because the antique, analog 30-track recordings had been neither digitized nor separated into their component tracks. But in a timely stroke of good fortune for Miller, a team of sound engineers at the University of Texas at Dallas recently completed a multi-year, labor-intensive program to transform these tapes\u2014which include upwards of 10,000 hours of audio for Apollo 11 alone, spread over 60 channels\u2014into digital files.&#8221;<\/em><br \/>\n<a href=\"https:\/\/www.vanityfair.com\/hollywood\/2018\/12\/apollo-11-50th-year-anniversary\">hell YES!<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 this is a great read: <a href=\"https:\/\/www.nytimes.com\/interactive\/2019\/06\/21\/opinion\/editorials\/errol-morris-lobster-sviatoslav-richter.html\">The Pianist and the Lobster<\/a> &#8220;One of the world\u2019s greatest pianists takes the stage. He panics. Where is the plastic lobster? He doesn\u2019t know. He only knows he can\u2019t play without it&#8230;.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 We all know using cracked software is ethically wrong but wow, check this out:<br \/>\n<a href=\"https:\/\/www.welivesecurity.com\/2019\/06\/20\/loudminer-mining-cracked-vst-software\/\">LoudMiner: Cross-platform mining in cracked VST software<\/a><br \/>\nvia Chris Randall<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 PSA: Google <a href=\"https:\/\/www.mercurynews.com\/2019\/06\/21\/google-chrome-has-become-surveillance-software-its-time-to-switch\/\">Chrome has become surveillance software<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 PCB Art: <a href=\"https:\/\/llllllll.co\/t\/pcb-art-artfully-shaped-copper-traces\/22027\/11\">Artfully shaped copper traces<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 What happens if you send your dogs DNA in for testing instead of your own? <a href=\"https:\/\/newsinteractives.cbc.ca\/longform\/dna-ancestry-test\">this<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/RV_jm5qbQuk\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\n\u25b6 Artist talk med J\u00f3hann J\u00f3hannsson<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/qnZj93mZ4o8\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\n\u25b6 I&#8217;ve always wanted a WASP and have the filter in my modular&#8230; totally missed this DIY WASP clone until now&#8230;. <a href=\"https:\/\/www.jaspersynth.co.uk\">ordered!<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; \u25b6 Ryoji Ikeda interview &nbsp; &nbsp; \u25b6 &#8220;Until recently, it was nigh on impossible to hear what any of these guys were saying, because the antique, analog 30-track recordings had been neither digitized nor separated into their component&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":3,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-36144","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/36144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=36144"}],"version-history":[{"count":12,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/36144\/revisions"}],"predecessor-version":[{"id":36217,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/36144\/revisions\/36217"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=36144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=36144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=36144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}