{"id":40982,"date":"2020-08-06T22:25:56","date_gmt":"2020-08-06T10:25:56","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=40982"},"modified":"2021-02-20T11:20:18","modified_gmt":"2021-02-19T22:20:18","slug":"detritus-547","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-547","title":{"rendered":"Detritus 547"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039.jpg\" alt=\"\" width=\"1280\" height=\"536\" class=\"aligncenter size-full wp-image-40999\" srcset=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039.jpg 1280w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039-300x126.jpg 300w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039-740x310.jpg 740w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039-768x322.jpg 768w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039-280x117.jpg 280w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2020\/08\/Isle_of_Dogs_039-90x38.jpg 90w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><br \/>\n\u25b6 &#8220;In our latest podcast, we hear how cinematographer Tristan Oliver found his niche in stop-frame animation, starting out at Bristol\u2019s Aardman studios. He describes the process behind his work for Wes Anderson\u2019s second animated feature film The Isle of Dogs, and Dorota Kobiela\u2019s fully painted feature, Loving Vincent. Plus, he shares essential advice and practical tips on making first steps into the film industry.&#8221;<br \/>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/451687986&#038;color=%232f2f2f&#038;auto_play=false&#038;hide_related=true&#038;show_comments=false&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=false\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/lectureinprogress\" title=\"Lecture in Progress\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Lecture in Progress<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/lectureinprogress\/creative-lives-tristan-oliver-cinematographer\" title=\"Creative Lives: Tristan Oliver, cinematographer for Isle of Dogs\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Creative Lives: Tristan Oliver, cinematographer for Isle of Dogs<\/a><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/UfSdRzd8ftg\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Fascinating: <a href=\"https:\/\/www.their.tube\">TheirTube<\/a> is a YouTube filter bubble simulator showing you the videos that are recommended on six different personas\u2019 accounts. It was developed by Tomo Kihara, who explained he started the project after a \u201cheated discussion with a person who thought climate change was a hoax and 9\/11 was a conspiracy. Through conversations with him.\u201d<br \/>\n\u201cI was surprised to learn that he thought everyone\u2019s YouTube feed had the same information as his own feed. When we showed each other our YouTube homepages, we were both shocked. They were radically different. And it got me thinking about the need for a tool to step outside of information bubbles,\u201d explained Kihara.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Also worth exploring: <a href=\"https:\/\/algotransparency.org\">AlgoTransparency.Org<\/a><br \/>\nWhat does YouTube recommend? To find out, <a href=\"https:\/\/www.technologyreview.com\/2018\/04\/12\/143919\/an-ex-google-engineer-is-scraping-youtube-to-pop-our-filter-bubbles\/\">we created a robot.<\/a><br \/>\nEvery day, it starts from 1000 channels, follows recommendations, and save videos.<br \/>\nWhat videos were recommended <a href=\"https:\/\/algotransparency.org\">by the algorithm?<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 wow <a href=\"https:\/\/www.flightradar24.com\">Flight Radar 24<\/a> but at sea: <a href=\"https:\/\/www.marinetraffic.com\">MarineTraffic.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Critical thinking is <a href=\"https:\/\/www.good.is\/seven-traits-of-conspiratorial-thinking\">the antidote<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; \u25b6 &#8220;In our latest podcast, we hear how cinematographer Tristan Oliver found his niche in stop-frame animation, starting out at Bristol\u2019s Aardman studios. He describes the process behind his work for Wes Anderson\u2019s second animated feature film The&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":14,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-40982","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/40982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=40982"}],"version-history":[{"count":16,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/40982\/revisions"}],"predecessor-version":[{"id":41008,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/40982\/revisions\/41008"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=40982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=40982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=40982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}