{"id":4329,"date":"2010-03-09T16:14:25","date_gmt":"2010-03-09T03:14:25","guid":{"rendered":"http:\/\/www.musicofsound.co.nz\/blog\/?p=4329"},"modified":"2021-02-20T11:29:04","modified_gmt":"2021-02-19T22:29:04","slug":"detritus-31","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-31","title":{"rendered":"Detritus 31"},"content":{"rendered":"

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>Congrats to Ray Beckett<\/a> (production sound mixer) and Paul N.J. Ottosson<\/a> (sound designer, supervising sound editor and re-recording mixer) and all of the sound team for winning both sound Oscars last night for The Hurt Locker<\/a> But the most momentus award must surely be to Kathryn Bigelow<\/a> the first woman to ever win an Oscar for Best Director – one would hope thats a permanently shattered glass ceiling!<\/p>\n

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> There was one weird Kanye moment earlier in the evening at the Oscars – read here<\/a> for the back story to it…. yikes!<\/p>\n

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> Also film related, here is a great infographic: film by the numbers<\/a><\/p>\n

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> A theory about how Hendrix’s talent<\/a> may well be related to his dual-handedness (not that he has two hands silly, its that he could use both with similar dexterity!) and how that may relate to inter-hemisphere traffic in his brain… <\/p>\n

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> A site that busts Advertising creatives<\/a> for stealing ideas… <\/p>\n

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> A great thread at Muffwigglers: how on earth do people with HUGE (modular synth) cases decide what modules go where?<\/a> <\/p>\n

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> Vague terrain discuss electronic music performance interfaces<\/a><\/p>\n

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> I came across the vinyl of this the other day – ode to a foley artist?
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  >Congrats to Ray Beckett (production sound mixer) and Paul N.J. Ottosson (sound designer, supervising sound editor and re-recording mixer) and all of the sound team for winning both sound Oscars last night for The Hurt Locker But the most… <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":27,"footnotes":""},"categories":[121,11],"tags":[],"class_list":["post-4329","post","type-post","status-publish","format-standard","hentry","category-detritus","category-sound-design"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/4329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=4329"}],"version-history":[{"count":20,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/4329\/revisions"}],"predecessor-version":[{"id":43579,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/4329\/revisions\/43579"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=4329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=4329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=4329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}