{"id":49020,"date":"2022-12-17T17:04:20","date_gmt":"2022-12-17T04:04:20","guid":{"rendered":"https:\/\/www.musicofsound.co.nz\/blog\/?p=49020"},"modified":"2022-12-17T17:05:12","modified_gmt":"2022-12-17T04:05:12","slug":"detritus-679","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-679","title":{"rendered":"Detritus 679"},"content":{"rendered":"

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\"\"<\/a>
\n\u25b6 a ‘bitrot’<\/strong> meme with toast infographic<\/em>
\n#whomadethis? #andwhy?
\nps can’t wait for the streaming down rez\/bitrot\/time smear version
\nmaybe requires granular scaled toast crumbs?<\/p>\n

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\u25b6 Freedom of reach IS freedom of speech<\/a>
\n“A feed that is controlled by a company using secret algorithms is much harder for a rival to replicate. That’s why Spotify is so hellbent on getting you to listen to playlists, rather than albums. Your favorite albums are the same no matter where you are, but playlists are integrated into services.
\nBut there’s another side to this playlistification of feeds: playlists and other recommendation algorithms are chokepoints: they are a way to durably interpose a company between a creator and their audience. Where you have chokepoints, you get chokepoint capitalism<\/a>”<\/p>\n

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\u25b6 How the Brain Distinguishes Memories From Perceptions<\/a><\/p>\n

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\u25b6 What Does Copyright Say about Generative Models? Not much.<\/a><\/p>\n

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\u25b6 “In order to protest AI image generators stealing artists work to train AI models, the artists are deliberately generating AI art based on the IP of corporations that are most sensitive to protecting it.” LOL<\/a><\/p>\n

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\u25b6 This is a wild thread<\/a> about Furuvik Zoo in Sweden!<\/p>\n

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