{"id":50245,"date":"2023-05-11T12:49:19","date_gmt":"2023-05-11T00:49:19","guid":{"rendered":"https:\/\/www.musicofsound.co.nz\/blog\/?p=50245"},"modified":"2023-05-14T15:04:16","modified_gmt":"2023-05-14T03:04:16","slug":"detritus-700","status":"publish","type":"post","link":"https:\/\/www.musicofsound.co.nz\/blog\/detritus-700","title":{"rendered":"Detritus 700"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/WHbpRaPPYK4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><br \/>\n\u25b6 nifty!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Why <a href=\"https:\/\/www.roadandtrack.com\/news\/a43805754\/ferrari-f355-exhaust-sound\/\">the Ferrari F355 Sounds So Good<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Fascinating article that I hope I never need: <a href=\"https:\/\/www.bellingcat.com\/resources\/how-tos\/2018\/10\/18\/prevent-identify-address-vicarious-trauma-conducting-open-source-investigations-middle-east\/\">Preventing Secondary Trauma<\/a><br \/>\n&#8220;Whether it involves victims of a chemical attack or a bombing, open source investigators are required to watch and interact with raw footage from the field \u2014 it lies at the core of online open source investigation. As a consequence of the increase in eyewitness media, investigators come in contact with a high amount of graphic footage. While this is potential evidence for investigative and accountability purposes, we must be mindful of the effects that traumatic media can have on those coming in contact with it on a regular basis.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Such a <a href=\"https:\/\/theguardian.com\/music\/2023\/may\/05\/fred-again-and-brian-eno-secret-life-review-ambient\">brutal review in the Guardian of Eno &#038; Fred Agains new album<\/a> &#8211; <em>&#8220;as if prompted by an edition of his famous Oblique Strategies commands to artists remade for the under-fives: perhaps \u201cplay the piano with one finger\u201d or \u201cmake a noise like the wind\u201d or \u201cthink of a time you were sad\u201d&#8230;.<\/em><\/p>\n<p>I had a listen and only went looking for reviews as found the album somewhat underwhelming, and so I expected mixed reviews&#8230; but WTF! That review is attempted murder! Or far more likely, pent-up venting, by someone with an axe to grind. <\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Doctorow on <a href=\"https:\/\/pluralistic.net\/2023\/05\/06\/people-are-not-disposable\/#union-strong\">the Hollywood Writers Strike<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The scale of fraudulent streaming!?!<\/p>\n<p>\u25b6 <a href=\"https:\/\/www.musicbusinessworldwide.com\/the-boomy-spotify-streaming-fraud-debacle-proves-pro-rata-must-go-urgently\/\">Robots creating music, streamed by other robots, as criminals bank the profits.<\/a><\/p>\n<p>&#8220;According to a recent French study, up to 3% of music streams on services like Spotify are known to be fraudulent. Yet this number only represents the \u2018fake streams\u2019 that services can actually detect; it doesn\u2019t include the ones they don\u2019t uncover.<br \/>\nStream fraud monitoring firms like Beatdapp put the actual figure at \u201cat least 10%\u201d of overall streams.<br \/>\nThe 7% differential there (between the 3% known figure, and the 10% cited by Beatdapp) would have been worth $1.2 billion in stolen royalties in 2022 alone. (Music streaming generated USD $17.5 billion in wholesale global industry revenues in 2022, according to IFPI.; 7% of that figure is $1.23bn.)&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Could <a href=\"https:\/\/musically.com\/2023\/05\/05\/merlin-signs-up-to-soundclouds-fan-powered-royalty-system\/\">Soundclouds fan powered royalty system fix the currently inequitable pro-rata streaming payment system?<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 Fascinating <a href=\"https:\/\/www.perfectcircuit.com\/signal\/william-mathewson-interview-wmd-returns-ammt\">interview with WMD founder William Mathewson<\/a> &#8211; love the ethical entrepreneurial spirit!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u25b6 wow check <a href=\"https:\/\/haikyo.info\/s\/10917.html\">this haikyo building near Nara<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-scaled.jpeg\"><img decoding=\"async\" src=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-scaled.jpeg\" alt=\"\" width=\"740\"  class=\"alignnone size-full wp-image-50269\" srcset=\"https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-scaled.jpeg 1920w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-555x740.jpeg 555w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-740x987.jpeg 740w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-768x1024.jpeg 768w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-1152x1536.jpeg 1152w, https:\/\/www.musicofsound.co.nz\/blog\/wp-content\/TPuploads\/2023\/05\/FvPzJT5aMAQeJLt-1536x2048.jpeg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><br \/>\n\u25b6 An adult female Haast <a href=\"https:\/\/www.doc.govt.nz\/nature\/native-animals\/birds\/birds-a-z\/kiwi\/tokoeka\/\">tokoeka<\/a><br \/>\nphoto credit: <a href=\"https:\/\/twitter.com\/NZEcosanctuary\/status\/1653934092780699648\">Orokonui Ecosanctuary<\/a><\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Check out this adult female Haast tokoeka. At full size these birds a huge, and can reach weights of around 3kgs!<\/p>\n<p>We are proud to work alongside Te R\u016bnanga o Makaawhio, K\u0101ti Huirapa R\u016bnaka ki Puketeraki, and the Department of Conservation to care for these toaka. <a href=\"https:\/\/t.co\/P0EEzsvfe7\">pic.twitter.com\/P0EEzsvfe7<\/a><\/p>\n<p>&mdash; Orokonui Ecosanctuary (@NZEcosanctuary) <a href=\"https:\/\/twitter.com\/NZEcosanctuary\/status\/1653934092780699648?ref_src=twsrc%5Etfw\">May 4, 2023<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"740\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/6bqpHuloKZs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><br \/>\n\u25b6 the (distorted\/clipping) sound of a 15,684kg bell ringing #FML<br \/>\nannoying dude on the left watching: &#8216;there&#8217;s a spare one over here&#8217;<\/p>\n<p>Also: <a href=\"https:\/\/www.hibberts.co.uk\/building-a-bell-sound\/\">building a bell sound<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; \u25b6 nifty! &nbsp; &nbsp; \u25b6 Why the Ferrari F355 Sounds So Good &nbsp; &nbsp; \u25b6 Fascinating article that I hope I never need: Preventing Secondary Trauma &#8220;Whether it involves victims of a chemical attack or a bombing, open&hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":2,"footnotes":""},"categories":[121],"tags":[],"class_list":["post-50245","post","type-post","status-publish","format-standard","hentry","category-detritus"],"_links":{"self":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/50245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/comments?post=50245"}],"version-history":[{"count":19,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/50245\/revisions"}],"predecessor-version":[{"id":50336,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/posts\/50245\/revisions\/50336"}],"wp:attachment":[{"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/media?parent=50245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/categories?post=50245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicofsound.co.nz\/blog\/wp-json\/wp\/v2\/tags?post=50245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}