Detritus 24

M4L plugs

> Robert Henke aka Monolake has released some of his MaxforLIVE plugs for free (thanks!) including Circular Doppler: “Two virtual microphones rotate around a single sound source. Doppler delays, distance dependent amplitude modulation and filtering included. Movement of source and microphones synced to song position. This allows 100% reproducible effects.”

 

> This is a map of your brain on music (not!)

 

> I started a little meme on twitter the other day about #overused_Lib_FX
Heres a copy of the list everyone posted:
– the BBC SFX ‘crying baby’
– Creaking metal door sound
– Feedback anytime someone approaches a microphone
– “Well, basically all of these… https://filmsound.org/cliche/
– Red-tailed hawk
– The opening of a DOOM door
– Crow caws
– Sword being drawn
– The same magpies every time
– The Wilhelm
– Bell trees for any xmas related graphics
– Bullet impact into metal
– Gun chamber cocking
– Whispy wind through wires
– Children playing in the park
– Single spark zapping
– Fireball whoosh
– Hawk screech
– Metal hatch squeak
– Dog next door
– Doppler truck horn

I think half the problem with these #overused_library_FX is people use the exact same version EVERY time… Methink someone should release a library of “Alternates to the most #overused_library_FX” with ten different doppler truck horns & 20 dogs next door etc….

 

> Why screenwriters & film makers fail

 

> Protools running slow? here are MIx Mags top 5 ProTools cripplers & how to fix them – I’ve been using the little free app that they mention for years & its invaluable at trashing corrupt DAE/DigiSetup files, get yourself a copy here

PTHelper.jpg

 


My Tokyo by Alary Romain
Music: Wasabi Shot – Interlope’s sushit Remix

One thought on “Detritus 24”

  1. Enos

    Looking through the Raindance.co.uk website you posted, I laughed when in one of the articles that are meant for training and educating upcoming producers in the handling of post production, the writer states that…

    ” The shoot (production) is outrageously difficult and overwhelming but the edit (post-production, in which the article includes sound editorial/mixing ofcourse) is a very calm and do-able process. So relax and just do it one step at a time. Happy filmmaking.

    http://www.raindance.org/site/index.php?id=46,726,0,0,1,0

    No wonder producers never get it if they get fed this information about post :p

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