Detritus

(thanks Gary!)   > Interview with Max Richter   > Some up & coming film composers to keep an ear out for (thanks Peter)   Tunnelblick from Henning M. Lederer on Vimeo. Tunnelblick – A constricted circular tunnel-like field of…

  > cats – is there anything they can’t do?   > “It’s very important to save this” – the Brazilian bus magnate who’s buying up all the world’s vinyl (thanks Tom!)   > Disney meets reality   > Exploring…

  > best 50 documentaries according to 340 critics, programmers and filmmakers   The Synth of Fear: Horror film soundtracks with synthesiser scores (thanks Logan!)   > you had me at ‘micro apocalyptic scenes’   his cover of Billie Jean…

  > the saddest photo   “I can’t act. I can’t lie.” (Cocteau Twins)     > Hammer time?   TELEPHONEME | MK12 from MK12 on Vimeo. (thanks Phil)   > interview with Frank Bretschneider, artist in residence at Elektronmusikstudion…

  > Making: your life as an artist – a free ebook full of insights & useful advice     > nice idea but… fwiw i sincerely doubt one persons syanaesthesia sounds like anothers   > i can’t see dead…

> World Listening Day 2014 – Call for Recordings     > I’ve often wondered about this: what happens if you’re a journalist who can’t help getting caught up in the subject?   > fascinating durational art: Swedish artist Anders…

  > 38 Wonderful Moments In Closed Caption History #funny   > a great ad for effects processing?   > oh to have a few well placed contact mics on these machines!   > love these sushi plates   >…

via   “The instant a music can be defined as a genre and thus copied, it’s dead. Only make music when you don’t know what it is that you’re doing or even trying to do. Apply this commandment to all…